FADE to BLACK host: Jimmy Church guest: Patricia Cori
Tonight, author and researcher Patricia Cori joins us for a conversation about CERN, life, and ancient wisdom... LIVE from the Azores!!!
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Speaker 1: The Smoke Radio for the Masses.
Speaker 2: Headline edition July 8, 1947. The Army Air Force has.
Speaker 1: Announced that a flying disc has been found and is
now in the possession of the Army.
Speaker 2: If the game is rigged, change the game.
Speaker 1: Game changer. I occasionally think how quickly our differences worldwide
would vanish if we were facing an alien threat.
Speaker 2: From outside this world.
Speaker 1: This is Fade to Black with your host, Jimmy Church,
on the Game Changer Radio Network. All right.
Speaker 2: Good evening. How you doing? How you doing? How you doing?
Today is Monday, September 21st, 2026. I'm your host, Jimmy Church.
Speaker 1: Let's do this, man.
Speaker 2: Oh, yeah. This is Fade to black. Yeah. This week
on Fade to Black. Tonight, Patricia Corey is here. Always great.
Tomorrow night, Chase McCarty. Remote viewing. Wednesday night, Whitley Streber.
New book, Transformation 2026. Thursday night, William Henry. Go Beckley Tepe. Yeah,
we're going to do Go Beckley Tepe with William Henry.
How cool is that? That is a perfect night on
the show.
Speaker 1: And.
Speaker 2: I didn't take my sandals off and start operating this
show on my bare feet. I didn't do it. And
so because of that, I get lost in my train
of thought. It's really weird. You have to be, Patricia's
going to enjoy this. You have to, I am about routine. Okay,
so I can't start the show without my alien hacky sack.
Speaker 1: Right?
Speaker 2: It's got to be right here. I rest my left
hand on that. You wonder what this is doing during
the show. It's on my alien hacky sack. It's got
to be right there. I have to have my crystals, right?
So my crystals are all lined up right here. And
then with the center crystal, I've got them on a
line on my desk. And it has to be that way.
And then in front of it, I have a little
guitar pick that points, put the tip on the line,
and it's pointing right at the center crystal. So now
I've got my crystals lined up. I've got my alien
hacky sack, a cup of coffee right here, and a
flashlight at the ready with this hand, and, of course,
a flashlight at the ready with this hand over here.
And if all of this ain't in play, right, bare feet, yes,
I'm barefoot.
Speaker 1: Right?
Speaker 2: I have to be, or the show just doesn't happen. Yeah. Yeah.
The secret's out. The secret is out, uh, really quick. Uh,
so we had a short week last week, uh, because of, uh,
you know, some installation on stuff, uh, with the internet cabling, cable,
fiber optics and stuff out on the street and cutting
into the street. They got everything done. Everything's fine. I'm here.
So that gave me a four-day weekend, which was unbelievably great.
I had a lot of stuff to do and a
lot of stuff to get done. But in the middle
of all of that, I got everything done that I
needed to get done. But Saturday, I went down to
the Transcendence Conference in San Diego. Suzanne Ross, she's amazing.
But I went down and had lunch, and maybe some
of you, I posted a picture of us sitting at
a table with Michelle, right, my producer. She's absolutely amazing.
I love that woman. She's just amazing. And a table,
a giant table full of friends and family. And going
down there and seeing everybody was just something I needed
to do. And it was incredible. And then on my
way back, I had to go to another engagement. And
that was a lot of fun too as well. I
can't get into those details. And then back home. But
I woke up Sunday. And Patricia and I were just
talking about this, about routine. I woke up Sunday in such...
a great mood. Okay. I just want, I just want
to let all of you know, it was just something
that I didn't know that I needed just to get
out and just hang out with friends and family. It
was absolutely incredible. What a lift, right?
Speaker 1: Okay.
Speaker 2: All right. So with all of that coming into today,
very excited not only about the week, but Patricia Corey's
here tonight. And she has been a guest on the
show many, many, many times. And every conversation with her,
I learn something. Thank you, Sensei. Sensei, thank you. Made
the May the gods protect you, Sensei. May the gods
protect you. She's amazing. And we're going to do all
of that tonight. We've got a lot of things to
cover tonight. She's the author of many books. She's an
international speaker and researcher. She lives in the Azores now.
She's on an island living the good life. but researching
and writing for us. Her website is below. I could
go on and on with a long bio read of Patricia,
but that's going to take away from our conversation tonight.
So with that, I'm going to say, welcome back, Patricia.
What's going on, young lady?
Speaker 1: Oh, thank you for the young. It's always great to
be back with you, Jimmy. Thank you for that introduction.
Speaker 2: Yeah, you're the absolute. I was brief, but, you know,
from the heart. From the heart.
Speaker 1: I feel it.
Speaker 2: We've got a lot to talk about tonight, and I
want to start out with CERN. But before we get there,
how important is routine for you?
Speaker 1: Well, as we were starting to discuss before you came on,
you know, I'm a creative. So I'm a channel, I'm
a psychic, I'm a writer, I'm all over the place.
And if I don't focus my thoughts in the morning,
it's like the old adage about make your bed in
the morning. It's like some people say, well, why bother?
I live alone. Make the bed. Just get some order
in your life. And I feel the same way. When
I get up in the morning, I just always utter
my thank you for being awake, my checking my body
parts to make sure I'm still intact. And then the
thought I have, and I say it out loud, is
what am I going to create this day? And, you know,
I like to remind myself and other people that every day,
no matter how much baggage you've got, every day is
an opportunity. It's a clean slate. Start over. What are
you going to do today? And it sets a tone.
So it's very important to me.
Speaker 2: Yeah, I'm out of balance. You said something very important, though.
I don't know if I've shared this, but since it's
you and I, Patricia, right, is.
I, when I get up, I cannot walk away from
my bed without making it. I can't. I don't even
try to walk away. I can't do it. I can't
do it. I have to turn around and make my bed.
Like what? My mom's going to come in and see
my bed unmade and I'm going to get grounded?
Speaker 1: It's a thing about putting order. And my mother used
to always tell me not to make the bed immediately.
Turn down the blankets. Let it air out.
Speaker 2: What? I've never heard that one.
Speaker 1: Oh, yeah. Don't forget we're Italian.
Speaker 2: Yeah. Okay. Shake out the bed bugs. Let it air out.
Speaker 1: Your body's been in this under the blankets all night.
Just let it air out. But I find that if
I walk out and I let it air out, I
don't get back to it. So I make a bit
of a drink, get structure, get order, and it's important.
Speaker 2: Yeah, I have a king-size bed, and I live alone.
So that means my bed is this big, but I
sleep on this much of it. And I, yeah, I know,
I know, I know. And I don't, you would think, right,
but I don't. And this is my weird bachelor thought.
I should sleep on that side of the bed once
in a while because it's clean. It's untouched.
Speaker 1: And also, I have two dogs. The German Shepherd that
sleeps next to my bed on the floor because I
She's too big. And a little Shih Tzu who is
this big, but she keeps inching over. I've got a queen.
Speaker 2: Of course she does.
Speaker 1: Over and inching over until I'm all every morning. I'm
falling off the damn bed.
Speaker 2: I love that, man. I want a dog so bad.
Speaker 1: But they do hinder you.
Speaker 2: I mean, I, I travel too much traveling.
Speaker 1: Exactly. I'm starting to travel again now.
Speaker 2: And, uh, you know, it's a, it's a headache, but the.
Speaker 1: Love, the love is so fantastic.
Speaker 2: Yeah. Routine. I think it's very important that it, it,
you get thrown off of you, especially when you travel,
you're out of your routine, you know, that you do
at your house. You can try to replicate it in
a hotel room and in some country or some state,
but it's not the same. And there's something about your
body realigns when you get back home and you get
back into your routine, you're doing those things. And then
you're at right with the world. So, yeah, routine.
Speaker 1: I think that, you know, people who live alone, which
I think is you and me, it's really, you know,
you really get into a routine because you answer to
no one. Sacred silence.
Speaker 2: Sensei. Sensei. Thank you, Sensei.
Speaker 1: I personally, you know, I've always been very blessed in life.
I've been in love. Very deeply, the last relationship I
had was 30 years of wonderful love, 27 wonderful love,
three years of needing to part but not knowing how
to do it. Yep.
Speaker 2: Been there.
Speaker 1: You've been there?
Speaker 2: Oh, sure. This is the best.
Speaker 1: Honestly, because I've always had a boyfriend. I mean, since
I was 16, there was always a boyfriend.
Speaker 2: Of course you have.
Speaker 1: And now I'm delightfully single, and there could never be again.
Never again. Because this, you know.
Speaker 2: They say never say never, Patricia. They say never say never.
I was talking to a friend of mine this week.
And the subject with a lot of my friends is, okay, church,
what's going on? Seeing it, you know, what's going on?
And I guess that my answer is right now I'm
blissfully blissed. Okay. Oh my God. I'm so bliss. But
the universe, if the universe winks at me and present
something and slaps me upside the head, of course, I'm
not going to say never. I can't. And I, you know,
and I have so many just wonderful friends of the
female variety. that are just wonderful and beautiful and inside
and out and everything. But that's not where I am
right now. It's weird.
Speaker 1: I think that, and this will tie in much with
our conversation about CERN and the trigger in 2020 of
how things have shifted.
Speaker 2: 2020, that was the year that my life tipped upside
down for sure.
Speaker 1: 2020, when they turned off the planet.
Speaker 2: Yeah, yeah.
Speaker 1: But a lot of people now are dealing with solitude,
learning how to understand solitude versus loneliness or aloneness. And
there's more and more people choosing that path. solitude and
for a number of reasons. One of them is because
a lot of people are out of their minds. I mean,
it's just, it's all over the road. I think there's
a lot of really, really challenging aspects to life right
now that are driving people out of their minds. And
I really mean that. I don't mean that.
Speaker 2: No, no, no. It's so we're all going through it.
The advantage that I have in any kind of solitude
is I'm never really alone. I'm with a million people
every single night. Right? Right?
Speaker 1: Right?
Speaker 2: I have a successful TV show. I'm around people. I'm always,
it's not like I'm some, you know, spinster. A dude spinster.
What's a dude spinster called? Old man at the end
of the street? I don't know. I don't think there
is a name for a male spinster. Let's figure that
out tonight. Let's create something. But that never comes out
of the house and doesn't have any friends and doesn't
do anything. No, no, no, no. That's not where I'm
at at all. I have just... just a wonderful family.
I get to come in here. This is what I do.
My poor audience. Sometimes I'll just come in and turn
on the mic and go, okay, man, talk and, and, and,
and let it all out. And that's a wonderful thing.
So no, I'm never alone. I'm when I'm alone, when
it's great. And I want everybody to laugh. I want
everybody in the chat to laugh. You know when it's
great when you're alone? At midnight, when you want to
have cheesecake in bed.
Speaker 1: So you told me that the last time I thought
it was the funniest thing ever. It's true.
Speaker 2: It's true. I mean, you know, crumbs in the bed,
you know, and just, man, I'll wipe these off in
the morning. I'm going to sleep in my Oreos.
Speaker 1: I think that when we talk about aloneness or we
were talking about relationships, I think, because like for me,
I'm never alone. I've got two dogs. They're like my children.
Speaker 2: Right.
Speaker 1: And I also have a wonderful online community.
Speaker 2: And you write books and you have your fans and
your artwork and everything else.
Speaker 1: I love not. having to interface with a partner anymore.
I'm just out of it. So, you know, as much
as I loved him, it was this buzz, you know, like.
Speaker 2: You posted, can I ask you a question? Then we'll
get to CERN everybody right now. You posted, no, you
caught my eye and this was, um, and I knew
that we were reaching out to you for the show. Right.
And right before that, I think this is what made
me do it. You posted a picture. of something that
you just made, a dinner, and I saw it and
you described it. I went, man, that looks so good.
What was it? It was baked. It was some kind of, oh.
Speaker 1: I think it was eggplant parmigiana.
Speaker 2: Was that it?
Speaker 1: Yeah, well, you went to Ireland and you didn't contact me, right?
Speaker 2: No, no, no. I would never do that to you. No,
I would never do that to you.
Speaker 1: You're making my way out, cook you an Italian dinner.
Speaker 2: I bet. But anyway, I saw it and I was
looking at that and I was thinking about you because
I'm a foodie. I love to cook and I have
a kitchen that is a complete kitchen, especially for a bachelor.
I have more than ketchup in my refrigerator, right? I
have all the tools. I have all the, everything, just
got a new stove. And I love to cook. And
then what I found out is one of the wonderful
things about living alone, you cook what you want. All right?
You got me. You're not cooking for somebody else or
getting their approval. You got any PETA allergy? None of that.
You just cook for yourself.
Speaker 1: And you eat when you want.
Speaker 2: Yes, yes, man.
Speaker 1: There's no what's for dinner.
Speaker 2: I love cooking for myself. I do. And it always
tastes so good because I made it for me.
Speaker 1: And there's love in the food. This was a whole
other discussion of the vibration of, you know, I really
love to cook. And I grew up, I'm Italian. I
grew up with my mom. And when I was 12,
she already had me in the kitchen with her. So
it's natural just to throw. You know, Italian cooking is
not with recipes. It's just throwing it together because you
sense it.
Speaker 2: Yeah, yeah, yeah, yeah. I spent, I may have told
you this, but I spent the better part of two years,
certainly a solid year, perfecting my version of scampi.
Speaker 1: Yum.
Speaker 2: Scampi is three, maybe four ingredients, depending on... That's it.
That's it. That's it. Right? It's all... it's butter, wine, right. Uh,
olive oil, garlic. Right. And if you get, if you
go past that, you're breaking a lot of international laws
and could be imprisoned. But so for simple, but it's
the balance and how and everything else. And there are
millions of Italian grandmothers who, that took that shit to
their grave. Okay. You know what I'm saying? It's a perfection.
It's a perfection.
Speaker 1: Um, and it's also the love of it.
Speaker 2: I mean, I make it for friends every time they
come over, you know, and they're, man, this is amazing.
And well, yeah. Okay. But I spent a year trying
to get this nailed down. Number one, number two, really?
It's only four ingredients.
Speaker 1: You invited me on to talk about CERN because you
saw my eggplant parmesan?
Speaker 2: Yes, yes, yes, yes. That's how the universe works, Patricia.
You know this. Come on, man. Come on, man. Okay,
so let's jump into CERN. Let's go from scampi to CERN.
Speaker 1: There must be a connection somewhere.
Speaker 2: Yeah, that's sort of my scampi recipe. It came out
of a CERN vortex, a CERN portal. It was channeled
to me from a satanic entity that was invited in
by CERN. Anyway, when CERN came online, and it's a
really strange thing for me. When I look back now,
I don't know what it is. But after CERN, the
world just went to crap on, like, every front. And
so I remember watching the CERN opening ceremonies, okay? And
I watched, that was eight hours, right, of video. That
was a long ceremony. A long ceremony? Yes, yes. And
with the most crazy symbolism. Also, some of the best
costumes I've ever seen people dressed up in, by the way.
I mean, that stuff was on pitch. Crazy. But I'm
watching it going, what are they trying to show us?
What is going on there? Now, as we get into CERN,
last year, I had a physicist on the show from CERN.
He was at CERN when we did the interview. And
he was great. He was a lot of fun. But
he goes, Jimmy, look, man, I know about your show.
I know who you are. And I just want to
say this because I know you're going to want to
talk about it. Everybody here is aware of the symbolism.
Everybody is aware of what people talk about. He goes,
and me personally, I've tried to find the secret Illuminati
room and door. I can't find it. That's what he
said to me out front. Now, you could take that
so many different ways, can't you? Is it hiding in
plain sight? Is he trying to make a joke? Is
he deflecting? Is he being serious?
Speaker 1: Yes.
Speaker 2: What do we do with it? But that's what he
volunteered to me.
Speaker 1: That's interesting.
Speaker 2: Yeah, yeah, yeah. So let's start with the changes that
seem to coincide with the day they flipped the power
switch at CERN.
Speaker 1: Well, I'd like to preface our conversation by saying that
also remember that when you and I were watching the
horrific ceremony, They were talking about the opening of CERN,
but then suddenly that disappeared and they referred to it
as the tunnel opening. CERN disappeared in the Mandela effect
type of historical recounting of what took place. And I was,
what is this? What happened to the CERN connection? So
they kind of glossed over that, which is a very
interesting fact. I just thought I'd throw that into the mix. So, okay.
A man named Michael Kratzius. Are you aware of this man?
He's a science.
Speaker 2: Uh-huh.
Speaker 1: Have you also had him on?
Speaker 2: I'd have to look. Bill, have we had Michael Kratzius
on the show?
Speaker 1: I doubt it.
Speaker 2: Okay.
Speaker 1: He's the science advisor to the White House. And in
April of 2025, he came out and said, our technologies
permit us to alter time and space. And I'm like,
is anybody else paying attention to these kinds of things?
This dude representing the White House says they're manipulating the
space-time continuum, and nobody seems to notice. Even my constant
reference to how, I mean, my constant reference is, it's Tuesday,
it's Friday, it's Tuesday. That's it. That's the week, right?
as the time slips away, CERN is manipulating it. So my,
I don't know if you are aware of this statement,
but I found it extraordinary that nobody's heard of this.
Speaker 2: Right, right. In here, in its basic form, if we
go back to Einstein, not to give a relativity lesson
right now, but we all know about the speed of
light And mass increases as you approach the speed of light.
And eventually, all time stops. And mass becomes infinite. Okay. Well,
that's what CERN is frigging doing. They are racing particles
at 99.9999999 the speed of light. where you are approaching
infinite mass and stopping time. These particles are doing just that.
We have on this planet that stuff going on. Now,
how could with all of this crazy implications that comes
with Einstein's algorithms and equals MC squared to actually doing it,
For an experiment. Under the guise of, I should say,
an experiment.
Speaker 1: Under the guise of, yeah, exactly.
Speaker 2: Because Mandela and everything else, all this weirdness seems to
be timed with that. Now, I don't want to say
the word coincidence, but when you are taking particles and
racing them up to the speed of light and approaching
infinite mass and freezing time, Shouldn't we be concerned? And
aren't there implications that spin off that directly?
Speaker 1: Of course, the word concern kind of is a funny
little play on words. I'm extremely concerned. First of all,
I can't even say concerned anymore.
Speaker 2: Neither can I. I do it all the time.
Speaker 1: You know, one of my earlier books called The New
Syrian Revelations delved into the fact that our son is
going through ascension. And it's a theme throughout all of
my work. The sun is ascending to the fourth dimension
and we're living in that. And that when this happens completely,
we lose time. So it's interesting that simultaneous time is
a subject that I've covered a long time now, 30
years of my work. And then here we are with
this mechanical alteration of time as well. I do believe
that we are going through a solar ascension. If you
just examine the sun one of the reasons why i
think they're so devoted to blocking the sun is because
today for example there were no chem drills that's fun
and the sun was so bright i couldn't bear it
it was like somebody put the salt you know the
floodlights on it was bright bright white something is definitely
changing there but um regardless of that there's no question
in my mind i'd like to preface everything i say
tonight with in my opinion.
Speaker 2: I want all of your opinions tonight, Patricia. But do
you find it, Mandela effect is something that is obvious
and right in front of us, and I'm looking at
the chat, right? And that's exactly what they're talking about.
And how can billions of people all have some deeply
embedded mass psychosis where nobody has a memory anymore.
Speaker 1: Because everybody's glued to the technology that is their cell phone,
their tool to keep everybody hypnotized. It's remarkable. I mean,
I watched the evolution of this thing on this Island.
When I moved here 10 years ago, it was the
oddity to see a phone. I mean, yeah, some people
had them, but of course now it proliferated, proliferated and
everybody's got them and we've got this again. And, So
the answer to that is why people are not paying
attention is because they're glued to the device, which I
always tell people, it's really not your device. It's theirs.
Put it down. And now they're coming on with the wearables.
Thank you, Mr. Gates. So they've got the Hume band,
and it monitors everything, your health, and everything. this is a,
he's got all the patents for wearables and they want
to insert more than the chip. They want to insert,
insert the neural link type of situation, which is a
computer in itself in the brain. So that's how they
keep people distracted.
Speaker 2: Do you think some.
Speaker 1: Of us are not falling prey to it? And I
don't know what that factor is, why some people are
awake and understanding and some people are anesthetized.
Speaker 2: Yeah.
Speaker 1: How do some of us escape it?
Speaker 2: I choose to... And it's not hard for me. I
just choose not to have it be a part of
my life's domination. Me too. There's not enough time in
the day for me to play guitar, ride, research, talk
to people, film, tape, and do the show. I can't spend...
you know, our waste people do, and it's a productive tool, right.
But for a lot, and especially our children, it's a
complete waste of time. And, uh, and.
Speaker 1: I tried, excuse me for interrupting. If it were only
a waste of time, it would be not so horrible.
but it's a complete mind-altering situation, not to mention the electromagnetic.
Speaker 2: Well, see, and the man figured out that. The man
figured that out. The man, whatever the intentions were to
invent the cell phone were cool. The phone in general, cool.
Everything's a progression. But once the man figured out That
they could alter. The entire planet. In a nanosecond.
Speaker 1: Right.
Speaker 2: A nanosecond. Just something pops up. It's in the scroll.
It's in the feed. And you've altered. You know. Six
billion minds. And the man has figured that out. And
now it's a dangerous tool. And now we have AI.
I wanted to ask you this though. What. Are your
thoughts on some of the theories that CERN intentionally or
unintentionally opened up portals to other dimensions and have let
stuff through that portal?
Speaker 1: I'm sure you've heard of Astrid Stuckelberger. I have. Okay,
so Astrid Stuckelberger, for those who don't know, is a, uh,
I think she's got a couple of PhDs. She's been
with the UN with the hoop, uh, and she's taught
a university and she claims that she was sat with
a couple of kahunas from CERN. And I think it
was a dinner. And, uh, she started asking them questions
and they said, we've already brought things through. And they
told her that an alien, uh, a being, uh, came
through the portal, came up into the room, left a
scarf and went back out. And so she's been obviously
being very careful because, but not that much. She's really vocal.
Speaker 2: Yeah, she is.
Speaker 1: About the portals and what they're doing. And it's so obvious.
I mean, The problem we've got here with the portals
opening is the prelude of the satanic imprint for the
whole operation. So my question is, if you're opening portals
and your mantra for eight hours was this diabolical satanic ceremony,
there's a dot, dot, dot that you're not bringing in
higher beings. And this concerns me greatly because there's, Yesterday
I was thinking to myself, how has this satanic force
taken such a widespread turn in these last few years
with the satanic tattooing and the body morphing and everybody, well, everybody,
these people that are wearing, implanting horns. And before we
even get to other types of rituals, there's a mutation
of the human form that is celebrating the satanic demonic stuff.
And I'm wondering and asking myself all the time, is
this what's coming through CERN? I feel that they've opened
portals to the lower dimensions.
Speaker 2: I'm going to pull up one of the famous images here.
I'm going to pull this up. We mentioned this in
the opening. Here's the CERN statue that sits at the
entrance of CERN. What are we looking at here?
Speaker 1: Well, this is the goddess of destruction, isn't it? In
the Hindu religion?
Speaker 2: I believe so. Hold on. I will give you.
Speaker 1: Okay.
Speaker 2: It was a gift from India. The Indian government presented
the sculpture to CERN on June 18, 2004 to celebrate
scientific collaboration. Symbolism. The Nataraja depicts Shiva performing the cosmic
dance of creation, preservation, and destruction.
Speaker 1: Yeah. So, rumor has it that there was a ceremony
at night under the statue of Shiva where there was
an actual... That's the word I want to use. I've
got to be careful with this word here. Elimination of
an individual in a ceremony. And apparently someone who was
working late saw it from his window. And this is
all allegedly, right? But these kinds of rumors, whether or
not they're true or not, we still have this statue
in a scientific place, which makes no sense at all.
Speaker 2: Right?
Speaker 1: So add to that the horrific. I mean, I was
flabbergasted when I saw that ceremony. It was so dark, so,
so dark. And now we're told that they've shut it down.
Don't believe that for a minute. I don't believe that
they've shut down CERN. What I think they're doing is
preparing it. In fact, they're talking about an upgrade by 20,
the magical year. 2030, and they're claiming that it's going
to be able to produce 10 times what they call
the luminosity, which is the force, the impact. 10 times?
Speaker 2: Yes. Yep, yep, yep. And they have cited, I don't
want to get too sideways here, but they have cited
that this was a scheduled shutdown because there was a
lot of public, you know, outcry and a lot of
theories put out there about this. But they said, no,
this was scheduled. We have a four-year window. We're shutting
it down and we're going to do the upgrades and
we're going to turn it back on in 2030. This
was a scheduled four-year maintenance upgrade.
Speaker 1: Okay. All right.
Speaker 2: So that's their story and they're sticking to it. What
I am very aware of, and so is everybody else,
is that from 2004, 2005, until today in 2026, everything
has gone whack-a-doodle.
Speaker 1: Yeah.
Speaker 2: All of it. Everything. Everything. Everything has just gone whack-a-doodle.
Speaker 1: Yeah. It's like we're at the fulcrum point. Something has
got to give. In fact, at the moment, there's a
lot going on politically that is very, very, very dangerous.
Very dangerous. but it's like society is completely whacked out.
The poor excuse for governments, we won't even discuss. Blatant,
blatant everything. We won't even talk.
Speaker 2: And I don't do politics on the show.
Speaker 1: No, it's better not to.
Speaker 2: Well, only because the two things that divide people, And
we are all entitled to our own opinions and thoughts
and foundations and how we want to live our lives.
That's fine. I don't give a shit. You do what
you want. I do what I want. But I don't
want my audience to be bickering and choosing sides amongst themselves.
So I just don't do it. I just don't do it. Yeah.
I don't do it.
Speaker 1: But when you talk about government and you understand that
there are no sides.
Speaker 2: It's an illusion. I'll say this. Oh, man. The red
and blue, let's just go with that, around the world, okay,
are the same.
Speaker 1: Yeah.
Speaker 2: Identical. Identical. They're the same.
Speaker 1: But it keeps us in battle over the nonsense that
we have a choice. Meanwhile, the puppeteers maneuver these camps.
Speaker 2: Yes, yes. Completely.
Speaker 1: Distracted while they put in place things like CERN 2030. Yeah.
Speaker 2: We all have red blood in our veins. We're all earthlings.
You know, we're all the same. We're all the same.
Maybe not all the same. But they just want us
to be at odds. So, and it's just, I just
have to leave it alone. I have to ignore it.
Speaker 1: Then again, bear in mind, there's something like 125 nations
involved in CERN. So that in itself eliminates the discussions.
It's like they're all united. But when I talk about government,
I'm talking about the entire globe.
Speaker 2: Yeah, yeah. That is so well said. That is so
well said. And you combine that, you know, 125 countries and,
you know, they're all in on this. And then just
go back. Anybody that has not watched the opening ceremonies
of CERN, you know what? Do yourself a favor. Become aware.
Become illuminated. Watch that.
Speaker 1: Is it still available?
Speaker 2: Oh, yeah. It's, man, it's all over the place. Yeah.
Speaker 1: But they call it the opening of the tunnel. And
that is not what I saw when I first saw it.
It was the opening of CERN. And then with the
Mandela effect, you know, I'd like to talk about that
for a minute.
Speaker 2: Yeah, yeah, go ahead.
Speaker 1: If they have the ability, again, this man, the scientific
advisor for the White House said, we have the technology
to alter time and space. People. So what's happening now?
They're going into the libraries. This is Alexandria all over again.
And they're burning the books. They're uploading and scanning all
the ancient texts. And apparently they're cutting off the binding
so they can put them into the scanners. And then
they're dumping them. And then once they've scanned all the
ancient wisdom, they can alter it as they wish. So
Mandela effect's kind of a, fun little game. Let's change
the fruit of the loom symbol to a basket instead
of a cornucopia example, right? Some people are like, I'm
sure it was a cornucopia. It's like watching us react.
I'm sure it was spelled fun-bies instead of funnies. Nice
little test for what's coming, which is they're going to
upgrade all the books into their systems, the advanced computing,
and then they can alter it as they want. So
they can rewrite human history or erase it completely.
Speaker 2: Remember when 1984, the book, which I read when I
was very young, I read it again when I was
more of a young adult, then the movie came out.
And for the people that didn't read the book that
watched the movie, said the same thing that was on
everybody's mind. Wow. Crazy. But that could never happen. Right, right.
And here we are. Yes, exactly. And here we are
today living 1984, like living it for real. It's crazy.
Speaker 1: Did CERN catapult us into a parallel earth? because I
have a theory for everything.
Speaker 2: What is it?
Speaker 1: I have a theory, and I'm putting it out here
only as a theory, that at the time that they
exploded the vid experiment, they stopped the Earth. We weren't
allowed to breathe. We weren't allowed to sit next to
each other. We weren't allowed to speak too much. We
couldn't be together with family. And shipping... stopped and travel stopped.
And in fact, a lot of the animals, for example,
the ocean animals started breathing again. I'm getting off track,
but this is important. We have constant attacks from the
orcas in the Strait of Gibraltar in that area.
Speaker 2: Yeah, off of the coast of Spain. Yeah.
Speaker 1: After they turned, after the danger was over and they
started back up again, the whales were pissed. And they
started attacking these boats. And my feeling is that they
had a momentary reprieve from human intervention in the oceans.
And they had their silence and they had their music again.
And then, boom, we were back. And they're pissed. So
they're attacking the boats. This is one theory.
Speaker 2: You're not wrong. You're not wrong.
Speaker 1: Yeah.
Speaker 2: When orcas attack. It's been several boats.
Speaker 1: They ripped the runners off of these boats.
Speaker 2: Yeah, yeah, yeah. Dozens and dozens and dozens and dozens
of boats. And you know what's interesting? You know what's interesting?
They're attacking rich people's yachts.
Speaker 1: Yeah, very interesting.
Speaker 2: Isn't that... You know, they're leaving the shrimp boats alone.
Leaving the lobster boats alone. That's okay. All right? Tuna
boats are fine. Those rich....
Speaker 1: Yeah. So I have a theory and that is, is
it possible that the shutting down the whole vid episode
was to shut down the earth to reach a certain
frequency where they could trigger us into a parallel reality?
Because the earth we're on today is not the earth
that we were on before the vid.
Speaker 2: No.
Speaker 1: Or at least it doesn't resemble it very much.
Speaker 2: Right.
Speaker 1: So if they can alter time and space with this monstrosity,
were they capable of utilizing it to catapult us? The
expression everybody uses is timeline. I think it's overworked as
a term. And I'm talking about a parallel Earth, a
parallel reality that is not the same frequency that we
were on before. Because there's no question. We've gone from a, okay,
we've always had upheaval in society, but Now we're in
a deranged level of society and progressively downhill. And there's
no explanation for this happening so dramatically within such a
short time span.
Speaker 2: Has it affected, now you, well, you know, it's like
the oldest saying, you're a woman on an island, right? Okay,
so is it affecting, is your world... In the Azores,
does it feel different? Here in Los Angeles, parallel reality.
No question about it. I'm in another dimension. But what
about the Azores? Has it affected island life?
Speaker 1: So when I moved here 10 years ago, it was primitive.
Then all of a sudden I started noticing all the
cell phones. When I say primitive, I don't want to
offend any Azoreans. I mean simple things. life, farmers, sailors, tourism,
a few months out of the year, very slow. Now
they've put in this ridiculous, let's call it a highway,
which leads from nowhere to nowhere because it's a small
little island. All this EU money is coming in. We
still don't have an MRI in the hospital, but we've
got this huge spanking freeway they put in. And We
don't have an MRI. Can you imagine? You can't get
an MRI.
Speaker 2: That doesn't even compute.
Speaker 1: I can't say it on the air, but it's money
that seems to get reallocated.
Speaker 2: Wait, wait, wait. Now, I thought, okay, and I've looked
at you and I. I have looked all over the Azores,
and it's such a beautiful place. But I thought, it
was at least a little bit cosmopolitan and modern that
there would be an MRI machine. So what, what happens
if you need an MRI? You go to Spain, you
go to what?
Speaker 1: No, I have to go to another Island because I'm
on one of the smaller Islands.
Speaker 2: Okay.
Speaker 1: So the, the main Island here is San Miguel.
Speaker 2: Right.
Speaker 1: Delgada. They've got the whole.
Speaker 2: Okay. So there is an MRI machine somewhere in the
Atlantic around you.
Speaker 1: Yeah. I thought I had a, Porn. something in ligament
in my shoulder. And we have a hospital, but they said, oh, no,
you have to go. You want me to fly to
another island? Then, of course, hotels and then waiting lists
and whatever. God forbid. But this... So that's why I
say primitive. I don't mean anything offensive, but Very slow.
We've got one and a half supermarkets, three gas stations.
It's small. You've got to come and visit me. I
know you keep saying that, but you do need to.
Speaker 2: I do.
Speaker 1: And so living here, I'm watching them put in the
15-minute city. We've got the parking all of a sudden
is disappearing. They put in a paved area for walking.
They don't want cars in the town. So I guess
this new road is going to divert us from driving
in this town, which is a couple of streets, partly
a city. And then we got the motor scooters, then
all of a sudden the cameras. So they're putting in
the EU 15-minute city. The question being, why? How do
you get off this island? You can only fly out
unless you've got a boat, which makes me very uncomfortable
because in the case of a disaster, I can't hop
in my car, would that we're still allowed to have gas,
and drive somewhere. I'm stuck on this island, which I love.
Speaker 2: Yeah, where I live, I live 40, 50 miles north
of L.A. in the desert. I live in Palmdale. And
Palmdale is a tiny, tiny city. You could call it
a city. But I live on the west side of
Palmdale next to a tiny town called Quartz Hill. And
where I'm at out here, Quartz Hill, and I'm not joking. Okay?
I'm going to stop and think. One gas station, two
bus stops.
Speaker 1: So, you see?
Speaker 2: Right? That little four blocks of downtown Quartz Hill is wonderful.
And I never want to see that get messed up.
I don't go to Palmdale. I technically live in Palmdale.
I don't go to Palmdale for anything. Right? If I
can't do it out here, right, in my little neck
of the woods. And I don't want this ruined.
Speaker 1: This is a very interesting aspect of our conversation because
I'm a prepper. And somebody wrote to me and said,
what do you recommend if we get alerted that there's
going to be a nuclear bomb? And I said, kiss
your ass goodbye. Because there's no prepping for something like that.
But I am a prepper from the point of view
I want to be away from cities. I want to
be in as much of a natural environment as possible
to have a minimum of backup storage set up and
then let it go. Because to be in a crowded place,
I mean, it's tantalizing from a certain point of view.
Because when I travel.
Speaker 2: Oh, you told me once, you know, Jimmy, I'm selling
my house. I'm going back to civilization.
Speaker 1: Yeah.
Speaker 2: What the hell happened? It was a great idea at
the time. It never happened.
Speaker 1: Why this happened was I had an art show in London.
And I was full of bucks. And, you know, there
was a lot happening around the art. It was very exciting. And,
you know, the shops and the cafes and the great restaurants.
And here is, you know.
Speaker 2: You got none of that. Right.
Speaker 1: So coming back, it's like, yikes. I miss civilization. But
then when I get back into it, I'm like, yeah,
I don't think so. So what happened is I actually
have my house in the market. I got a nice
little offer for it. And I had a panic attack.
I was here with the realtor and his guys were
showing the house to this couple. And I could see
the woman going. We closed ourselves on the terrace so
that we didn't interfere with them. And she kept loving
the house. And I was like, what am I, nuts?
Speaker 2: Yeah, you told me. You told me. You said, Jimmy, okay,
I've got the house ready to show. I remember the
whole conversation. Jimmy, I've got the house ready to show.
I know what I want to do. I'm looking at
property in Europe right now. And I've got my eyes
on a couple of cities. What do you think? And
we had that whole conversation. It was like two days later,
he goes, No, I'm not doing it. I showed the
house one time, and I changed my mind.
Speaker 1: Yeah, I saw it one time, and I got an offer.
I just called my house a mansion, which it's not.
But I bought a shack, and I rebuilt it. It's
my beautiful home. And this house in Europe, anywhere else,
would cost millions of dollars. I can't even afford to move.
Speaker 2: Right.
Speaker 1: But I've got a beautiful home with this expansive view
of the ocean. It's a beautiful place, and I'm at
one with a piece with the idea that If all
hell is breaking loose, and I'm going full circle now
to your question, this is a good place to be,
I think, in the middle of the ocean.
Speaker 2: Well, okay, but now you bring up a really good point.
I'm going to remind you of something, though, young lady.
The island that you are on used to be Atlantis.
And some bad shit happened, right?
Speaker 1: It's also true.
Speaker 2: Yeah, yeah, yeah.
Speaker 1: But, okay, so considering that the weather, I'm free to speak, right?
Speaker 2: You can say whatever you want.
Speaker 1: So we know that the weather is manipulated. They've been
doing this since 1945 was when the government started talking
about weather manipulation, at least in documents that I've seen.
And now, you know, like, give me a break. Imagine
you have a blender and you're whipping up some pancake mix.
Imagine if you have a tool where you can whip
up the atmosphere. And that's what they're doing all the time.
So these hurricanes and whatever, they bring them in when
they want. I'm getting off track. What was the point
of it?
Speaker 2: Atlantis. Yes.
Speaker 1: So thank you. So as I monitor earthquakes, there are
at least five a day. Volcanoes, you know, Nostradamus said
when the volcanoes of the four corners of the earth
go off simultaneously, you will know you're in the end
of days. Well, they're going off everywhere all the time.
There's blowing. So somebody asked me, was I concerned about it?
And I said, well, let me explain. When I look
out my window across the bay, there's a Mount Pico,
which is a volcano. When I look across the way
to the south, there are two or three spent volcanoes.
We had an explosive volcano activity in 1957, wiped out
part of the island. So if it's time to go, baby,
it's like I'm in the Herculaneum position to Vesuvius, because
if that volcano blows across the way, Oh, my God.
And people said, no, it's not active. And one day,
one winter, I'm sitting here because my office has windows
all around, so I've got the most amazing view. I
look out, and it's like, wait a minute.
Speaker 2: No, no. Are you serious?
Speaker 1: The volcano is covered in snow, and there's steam coming
out the top. It doesn't look inactive to me. But
I have a lot of resolve when it comes to
my own death, which is, I'd rather go out with
a burst of ash than to sit in a hospital
and drool on myself.
Speaker 2: Yeah. You got that right.
Speaker 1: I don't have those kinds of fear, but it is
a volatile time on this planet. And as far as
this being Atlantis, absolutely. There's no, I think we had
this conversation before where I told you in the hospital here,
they've got a painted mural in the lobby and the,
there's a scene, a pastoral scene with some, local folks
farming and some fishes and whatever. And then over here,
there's this underwater scene with these Greek type columns and
pyramids and columns that are underwater crashed. I was, did
you pick to get Atlantis? The older people here know
that this is Atlantis. And so from Atlantis, I began
my earth journey and To Atlantis, I've returned to complete
the cycle.
Speaker 2: Do you think, we just got 45 seconds left before
the break. So just really quick, everybody's been looking, you know, forever,
you know, the big A word, Atlantis. Do you think
that'll get resolved and it will be the Azores?
Speaker 1: You know, Graham Hancock has been talking quite a lot
about this. He's so knowledgeable. So you might want to
check out what he's bringing forward. But bear in mind
that at this island that I've told you about, San Miguel,
a fisherman, a commercial fisherman with some serious equipment, was
one sunny day off the coast of the island. He
looked down. It was a perfect day. Mild water, perfect light, whatever.
He looked down and saw a big giant pyramid. in the,
in the water. And it came out in the news.
And then the next thing, you know, and the next
day or two days later, the military said it was
an illusion and he had been drinking and there's nothing there.
So we never found out the longitude and latitude of
that thing. And he went quietly into that dark night.
Speaker 2: Yeah, exactly.
Speaker 1: We know there's this big pyramid right off the island.
Speaker 2: Yeah, isn't that interesting? It was an illusion, but we
don't know where the illusion was. Right? It does make sense.
Speaker 1: You can't pinpoint the illusion.
Speaker 2: Patricia, stay right there. It's Faded Black. I'm your host,
Jimmy Church. Our guest tonight, Patricia Corey, live from the Azores.
We'll be right back. Patricia, stay right there. We'll be
right back after this short break. Stay with us. Subscribe
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All right. Welcome back. Fade to black. I am your host,
Jimmy Sears. Tonight, Patricia Corey is with us live from
the Azores. She's living her best life out there. I
got it going on out here in Quartz Hill, though,
you know, so I got a little taste of that
small town life. Got a lot to discuss tonight. Patricia,
we were talking before the show and We were talking
about different places around the world, and specifically we brought
up Peru. And when I go to hang out, when
I go and visit these very, very special places, I
walk around and I meet the culture, meet the people,
and I see these sites in these countries. And I
can't help but think about well, the megalithic, the technology, how,
and all of that. But it seems to me that
there was something brought to them that they nurtured into
ancient wisdom. And, and in those cultures, it's still there today.
Us out here in, uh, a first world situation. We
don't have that. We don't have any of those connections.
But am I wrong? Am I flying over the target
when I say something like that? I'm not sure I
understand your point. I think that E.T. visited these cultures
throughout history. And they carry it. And it's everywhere you look.
They preserved it for us. The knowledge is there, the symbolism,
the writings, and the stuff that has been handed down
generation after generation. But that's there, and that's not here.
And I feel it. And I know sometimes it may
sound crazy to suggest something like that, but I just
think that I'm right.
Speaker 1: Well, you do have an Egyptian... artifacts in the Death Valley,
in the Grand Canyon, sorry. So it is there. It's
probably just not uncovered yet. But, you know, I would
like to comment that I've just, this year I've been
twice to Turkey and Gobekli Tepe, Karahan Tepe, and now
there's Mendik Tepe. And one of the archaeologists said, because each,
each one that they uncover, there's like 26 acres of
this expansive civilization. And, uh, Karahan is older than Gobekli.
Mendic is older than Karahan. And they're saying, what are
we going to keep finding? And this archaeologist said, well,
the only reason why Gobekli Tepe is younger than the
other places, it's the first place we've found, but they're
uncovering all this. And there's an unearthing of history right now. Egypt, Turkey, uh,
So much is coming out. In this upheaval, because we've
kind of talked about some of the negative aspects, this
upheaval that the Earth is going through is also the
great reveal. And it's just like it's all coming. I
really feel that perhaps the power grid that was put
in place 11,000 years ago, 12,000 years ago, the Atlantean timeline,
could very well be activated again. And something is underway here.
And we have yet to find out what's underneath the pyramids. But,
you know, I go to Egypt all the time. In fact,
I'm taking a group again. And one of the places
that I really love is the Serapium at Saqqara. And
I've heard every kind of thing say that it's where
they buried the Apis bull.
Speaker 2: One of our.
Speaker 1: Colleagues said it's where the Anunnaki were buried. And I'm like, no,
this is a battery station that is charging on some
way that we don't understand, charging the Great Pyramid. There's
a whole power complex in that area. And it's, again,
my theory. So when I say no, I'm not boohooing
anybody else's opinion. But I think that these immense structures
that were put in place are being revealed to us now.
God only knows we're going to see what's under the pyramids.
But I've never had any doubt in my mind that
the pyramid was a power station and that they're all connected.
Speaker 2: The new director of antiquities in Egypt that replaced Zahi,
one of my trips out there, I get the keys
to the Serapium. And I'm allowed to open it up
in the morning. It's early, you know, 7 a.m. or something.
And I go down, and I've got the priest with me,
and I go down and pop the key in the
padlock and open it up and go in and turn
on the lights, right? And actually, it was pretty freaking
cool to be able to. It was a privilege.
Speaker 1: That's very cool.
Speaker 2: Yeah, it was very cool. So I get in there,
but he's there. And we've got about 80 people in
this tour group. And I start talking to him. And,
and he said to me, he goes, you know, Jimmy,
you know, I follow you on social media and, you know,
I'm very aware of, of your thoughts on these things.
And I said, look, man, honestly, bulls, really? And he goes,
I'm going to quote him and everybody there, you know, video, right?
They're like, oh shit, church is going toe to toe. But,
but I just wanted him to address the ridiculousness of,
of these things. And we're standing next to, at the entrance,
there's that big sarcophagus that never made it in there. Right.
Speaker 1: Exactly.
Speaker 2: Right.
Speaker 1: It's not a sarcophagus. It's a granite block.
Speaker 2: It's giant, bigger than me.
Speaker 1: Right.
Speaker 2: And so, and I pointed at the lid and I
said to him, how?
Speaker 1: How?
Speaker 2: Just explain this to me. Look at that lid and
explain to me how. Well, man, what they did is
they took little pieces of wood and they would wedge
it in there and put water on it and it
would swell up and then slowly I go, okay, all right,
all right, let's stop with that part. I wouldn't let him,
you know, and I go, but bulls? And he goes, yeah,
we found bulls. I go, where are they? You know
what he said? I don't know.
Speaker 1: That's what he said?
Speaker 2: Yeah. Yeah. He said, well, they did find one for sure.
I said, okay, where is it? I think it's in
the storeroom of a museum. I said, where? You're the
director of antiquities. Where's the bowl? I've never seen a
picture of it. Well, I'm not sure exactly, but I said,
if that was the case, shouldn't that be on display? Shouldn't,
you know, and, and, And so anyway, my point being
that when I bring up these very crucial points, their
dogma over the years has turned into fact, right? Okay.
All right. So it's, it's a very difficult thing. And
then when you go in to the Serapium, which by
the way is, I've always compared it to a shopping mall.
You know, when you go into a shopping mall, You're
going down a long hallway, you've got shops to the
left and to the right, to the left and right,
these big, you know, it's like that. It's like an
indoor shopping mall with these shops left and right with
everything in there. And it's that big. This is not
some small little tunnel that you're going through. You could
drive a car through there. Yeah, it's huge.
Speaker 1: It's huge. And I'm so glad that you're so familiar
with it because... I don't know how long it's been
open to people to go in, but I first heard
about the Serapion from Chris Dunn, who said, if you
want to see Egyptian technology, make sure you go into
the Serapion and see how those granite blocks are cut.
He's a genius. I love Chris Dunn. And every time
I go in there, I'm like, my hair stands up.
Speaker 2: It doesn't make sense. It doesn't. It makes no sense,
does it?
Speaker 1: It makes sense if you understand that the battery is
an electric, some system is powering, or at the moment,
it's not connected to power the pyramid. But that's the
rapium there. It's no question that there's a link to
the pyramids. For me, it's a question that has to
do with electric energy.
Speaker 2: I agree with that. And one of the points that,
and I always depend on my eyeballs, right? So when
you're walking through there and if you listen to the dogma,
the dogma is these were one piece blocks that they,
and they carved everything out of one piece.
Speaker 1: Okay.
Speaker 2: All right. Okay. So let's just go with the dogma part.
Let's park that. Let's pin that to the wall. Here's
the problem with that. You look at these boxes and
they are big and they are nearly perfect. But if
you look really close, they are melted. Right? They have weird...
And if you're going to carve a perfect block, then
why aren't you smoothing out those melted parts that are
sticking up? It doesn't make sense. Unless, going with what
you just said, they got heated and melted at some point.
And it doesn't match their dogma. If you're a Mason
and you're in there cutting these blocks, what are you
doing doing a shitty job?
Speaker 1: The Egyptians didn't do a shitty job.
Speaker 2: They didn't.
Speaker 1: Especially if this was some kind of huge worship center
where you were worshiping bulls. You wouldn't make any mistakes.
Speaker 2: Any mistakes. Any mistakes. Any mistakes. And these boxes are beautiful.
They're incredible.
Speaker 1: They're huge.
Speaker 2: And huge. But yet there's apparently some really sloppy work
that was done. And no, that does not fit the dogma,
the divine perfection. And you're right about the work of
Chris Dunn and others that have gone in there and
measured and looked. And I've done the same thing. I've
gotten in there with lasers and squares and, you know, and,
and checked corners.
Speaker 1: And, and stuff.
Speaker 2: Okay. Well, the short answer is yes, except for those
inconsistencies on the surfaces, which looks so completely out of place.
Speaker 1: Very interesting that you say that it could have been
melted or perhaps. And I, again, theory that it was,
somehow scooped in a way that refracted energy or moved
energy or slowed it down or something so that, you know,
the direct straight line perhaps needs some kind of, I'm
not a scientist.
Speaker 2: Yeah, no, you're right about that. You're right about that.
Speaker 1: A way to move the energy in an oscillation or
some other aspect that would be facilitated by those curves.
Speaker 2: Yes, yes. And here's the other– I'm so glad we're
talking about this. The rooms that they are in, these alcoves,
these storefronts, if you've ever moved a sofa or a
refrigerator to a second-floor apartment, and the struggle that you
go through to get a couch up one flight of
stairs– And to navigate the corners, get it in the
front door and somehow make it into your living room
or refrigerator. Banging walls, scratching this and what you go through.
And then you go to the Serapium and you look
at these boxes and you're like, how?
Speaker 1: How?
Speaker 2: How did you take this corner with a 50, 100 times?
The lid is four feet thick. The lid is. The lid,
black granite, you know. It's incredible. Yeah. And there's just
dozens of them.
Speaker 1: And by the way, if it's such a sacred center
for the bulls, where's the hieroglyphics? Surely, if it was
such a sacred location, there would be design like everything
else that the Egyptians did. No, these are just black.
Humongous granite boxes.
Speaker 2: When the British and the French first found the Serapium
in 1832, by the way, 1832, right? Wow.
Speaker 1: I didn't know that.
Speaker 2: It's modern. Their drawings of it are exactly as you
see it today.
Speaker 1: Yeah.
Speaker 2: Okay, so they got into the entrance, they came in,
and there it was, fresh, right?
Speaker 1: Most people don't know about the Serapion. I mean, it's
not a real tourist situation. It's people like us that
are interested.
Speaker 2: Can I share something, a thought that I had? Okay,
so we're in Saqqara. This is the first time I
was there. And we're in Saqqara. And, okay, so we're
going to go to the Serapium, Serapium, Serapium. And I'm
looking around. I'm like, where is it? Because you're in
the middle of sand dunes in Saqqara that go on
to the horizon, right? And you're in the middle of
the Sahara Desert. This is sand dunes. dunes this is
the sahara desert sakara and you're looking at like where
is it so when you walk up to it you
come down off this little dirt road you round the
corner come down this hill and there's the stair the
ramp that goes down underground and you see the doorway
below you have no idea what's about to greet you
because you're looking at sand dunes above nondescript it's not
even there you walk past it you wouldn't even know
it so anyway When you walk in the entrance and
then you walk inside and you're in there for whatever,
a couple hours, it's ginormous. Hallway after hallway, left turn,
right turn. It's so big. Anyway, when you come back
up and now you're back in the sand and then
you imagine what is underneath the sand. That is crazy.
It messes with my head. Because you're looking at the
sand dunes and you're trying to picture how these tunnels
and what is underneath. It's incredible. And so that's what
messed with me was how do you find it? What
was the idea? What was the intention? It's incredible. And
you would never know it's there.
Speaker 1: Did you know Hakeem Awil?
Speaker 2: I never met him.
Speaker 1: So he was my friend. Yes.
Speaker 2: You know, precious friend. So precious. He was a gift,
a gift to us all.
Speaker 1: So for those who don't know, he was the last
of the oral wisdom keepers of the Kemet tradition. And
when I met him, we, it was kind of haphazard
how I met him and we started to exchange thoughts
and he said, so how do you think the pyramids
were made? And I, I said something about Atlantis. I said, well,
I would imagine that there was this emerging of civilizations that,
he said, you're going to talk about Atlantis?
Speaker 2: I said, yes. Okay.
Speaker 1: He said, is it possible that we were great enough
as Egyptians that we didn't need some outside civilization to
come in and do it for us? I said, yes,
it's possible. But see, everybody kissed his ass, right? He
was like Alibaba. And I said, yeah, of course it's possible, Hakeem.
But on the other hand, it's also possible that there
was a merging of this incredible high technology, high civilization
at that time. And that there was a high civilization
from the 42 tribes that instantaneously became these incredible pharaohs
and wisdom keepers and technological geniuses. And are you going
to deny that there's a possibility that there was alien intervention?
And he said, I'm willing to discuss it as long
as we keep to the discussion that we didn't need
outside intervention. I said, whoa, need is a big word.
Who said they needed it? If there was an alien
civilization that saw that the epicentral point on planet Earth
is where the pyramid needed to go, for reasons that
had to do with empowering the whole planet with a
system of free energy, you just had the right country.
You had the right land. And he said, I think
we'll get along famously.
Speaker 2: He was a wonderful man. I would cut off my
right arm if I could turn back time and chain
smoke cigarettes and drink tea with Hakeem.
Speaker 1: I did that.
Speaker 2: I know you did.
Speaker 1: He was smoking hashish at the end because he was
very sick and he was in a lot of pain.
And he probably shouldn't say this publicly. He said, will
you join me? And I was like, smoking hashish in Egypt? Yikes.
They cut your head off for things like that. Oh, yeah.
And I just looked at him and he handed me
the pipe. And I said, will you join me, Patricia?
Speaker 2: Absolutely.
Speaker 1: So there I was, his house was right under the Sphinx.
I mean, his balcony was like the Sphinx. So we're
sitting on his balcony. He was in a lot of pain.
His legs were really bad. Smoking hashish with him. Talk
about a moment in life. And I said to him,
so Hakeem, when are you going to show me the
tunnels under the pyramid? And you know what he said?
I'll take you to the entrance and I'll see you
on the other side. And I knew he was telling
me he was going to die. And sure enough, two
days later, I heard that he had died.
Speaker 2: Oh, man.
Speaker 1: Yeah. So I was there right before he died. I
told him, I wish I could take you to Italy.
I was living in Italy at the time, to get medical.
And he goes, oh, I wish you could, Patricia. I
wish you could. So the reason why I brought him up,
aside from my love of him and the honor, I mean,
every time I went, I lived in Italy, in Rome.
It was a three-hour flight to Cairo. I just kept
jumping over.
Speaker 2: Sure. Right? Why not?
Speaker 1: I spent a lot of time with him. I had
the honor of really knowing he was my friend. And
he said, when I was a kid, we would go
down in the tunnel. There was some sort of an
entrance that the kids knew at Sephara. And he said,
there's the whole place. He said, there's nothing but tunnels
from Saqqara all the way to the pyramids. It's completely tunnels.
And I'd love to know, you know, were he around
right now, what he would have to say about this
theory that there are these giant pillars of energy under
the pyramid. Because he never mentioned that to me.
Speaker 2: Yeah, I would like to see that pan out. I
think the excitement that the world had with the news
of that was because we all have an interest. You know,
we would love to get some of these mysteries unraveled.
I was with Muhammad Ibrahim, who you know, and we
were in Saqqara. And the director of Saqqara was with us.
Each one of these sites, everybody, every site has a
director that runs the site. Very knowledgeable, very cool. Everybody's
really cool. But so anyway, I'm walking with Muhammad and
the director of Saqqara. And they tell, I'm listening to
them talk. And they said, do you remember, remember when
we used to ride our, our BMX bikes out here
when we were kids? And I turned to him and
I said, wait a minute, what, what did you guys say?
And he goes, yeah, man, we lived in the town
right over there. This is where we grew up. So
Muhammad and I, after school, before school and everything, this
is where we played. I was like, Holy, how cool
is that? Right? Just think about that. When you're a kid,
that your backyard is Saqqara, right? So I said, what
did you guys find? We found all kinds of things
out here. There's things everywhere. And knowing what we know
now about Saqqara, because we're talking about 40, 50 years
ago for these two guys, Saqqara, every day we get
another gift. Out of Saqqara. Saqqara, it's ginormous. Compared to
what we knew in the 1950s, 1960s, even the 1970s, Saqqara,
the more that we look at, it is just turning
out to be bigger and bigger and more important than
we had originally thought.
Speaker 1: Yeah, it's like everywhere they dig, they find new things.
Speaker 2: New pyramids. New pyramids.
Speaker 1: Like you said, I wonder what's under the sand. As
far as the eye can see, if they were to
uncover all that, there's going to be an entire network
that leads from Saqqara all the way to Giza.
Speaker 2: All the way to Giza. I firmly, 100% believe, I'm
not in any way exaggerating, it's the same site. Right?
It's just one ginormous... Saqqara's not that far from Giza,
by the way.
Speaker 1: It's like Luxor when they discovered the Avenue of the
Sphinxes and it goes all the way down to Karnak
from Luxor Temple.
Speaker 2: It was under sand. It was under sand.
Speaker 1: When I first went there, I don't remember seeing those sphinxes.
I went the first time to Egypt in 1997. How
about you?
Speaker 2: No, my first time there was five years ago. Oh, really?
Speaker 1: Yeah. Oh, let me tell you something. The first time
I went to Egypt, I stepped off the, let's call
it pavement in the village. The name is escaping me
at the moment. And it's been destroyed, I hear. They're
putting in new hotels there. The village where Hakeem lived.
Speaker 2: Right, right, right, right, right, right.
Speaker 1: Right in front of the Sphinx. So the first time
I went to Egypt, I was staying with a woman
who worked, who invited me to teach a workshop. And
she got a call from her husband and he said,
don't go out. There's been an attack at Luxor. Where
was it? Hatshepsut Temple. don't go out with Patricia. And
it was like my first night there and I wanted
to get to the Sphinx. So I decided, well, the
safest time to go would be then. So I arranged,
I'm so crafty. I arranged for a little desert rat,
as they call themselves, to take me to the Sphinx
at four in the morning, my second night in Egypt
in 1997. So everything was very furtive when I got
behind the camel ship and then we went this way
and then, and there were guards because of what had
happened at Hot Ships. And was it Hot Ships that
were there in 1987?
Speaker 2: In Luxor? Yes.
Speaker 1: Yeah, it was Hot Ships. So I went out and I,
by myself, under the full moon, go out there and
there was a guard sitting right in front of the Sphinx.
Try to imagine this, your first encounter in the moonlight
with the Sphinx before you, just stepping off. No walls,
no gates, no nothing. Stepping off, stepping onto the sand.
The buck sheeshed the guard. He looked away. Zoom. I
went into the arms of the Sphinx. I had this
out-of-body moment, let me tell you. And I was there
in the arms of the Sphinx. So effortlessly, everything was open.
I took a camel and rode off into the sunset. Sunrise,
excuse me. And now everything's boarded up in gates and
turnstiles and whatever. But 1997, at that time, it was
a completely different experience.
Speaker 2: In front of the first thing that civilization has pushed
up so far, that facing the Sphinx is a Pizza
Hut and a Kentucky Fried Chicken. Yeah. I've stood right there.
Good Lord, man.
Speaker 1: What I remember the most was the awe because everything
was in lockdown. So there was this guard, poor excuse
for a guard, sitting there with some machine gun. And,
you know, my little desert rat guy went over to him,
gave him some box sheets. He turned his way. I went.
I was alone in the arms of the Sphinx.
Speaker 2: That is beautiful. At Thorpe Park. That is beautiful. I
did the same thing with the great pyramid. I was
able to, uh, uh, I had it to myself for
like 30 minutes, myself empty. And that was pretty incredible.
But when I came out, I'm walking down, I'm with
Muhammad Ibrahim, and we're shooting this video, talking, walking alone
and probably eight, nine o'clock at night. And we go
down and met with all of the guards that were there.
And they're talking to Muhammad. You know, I'm shaking, I'm
handing out, I had American Spirit cigarettes, the currency of
the world, right? And I'm handing out cigarettes to the guards.
And we're talking. And Muhammad turns to me and he goes, okay, man, Muhammad,
I don't think I've ever said this on the air. Okay.
He goes, church, if you want to, if you want
to climb it, you can. No way. I looked up.
It turns out I'm serious. I looked up and I went, no. No.
Speaker 1: I had a similar experience because that same night after
we got done with the Sphinx, we drove out. We
went out and I watched the sunrise with the camels.
The next day, I told the guy, the same guy,
that I wanted to go inside the pyramid. He goes,
that's going to be a little more difficult. So, He
found out that there was a private group going in.
I forget what time it was. It was some god-awful
morning time. And he said, we'll do this all over again,
4 o'clock in the morning. We'll do this. We'll do this.
You come here, whatever. So when the group went in
to go up, he unlocked the door, the gate, for
me to go down. And I went down to the
subterranean chamber. I could never do it now. I'm not
that nimble. I mean, walking all that way down, bent over.
Give me a break.
Speaker 2: It's gnarly.
Speaker 1: I went down with the fear because, you know, the
adrenaline of the knowing that you're not supposed to be doing,
it's not, not like an arranged government visit. This group
has gone up and you are going down. Never forget.
That's why they call me. That's why my new book
is called. They call me Indiana. You know what?
Speaker 2: I'll never do again. I will never, go into the
Bent Pyramid?
Speaker 1: I haven't been in it.
Speaker 2: Most dangerous thing I've ever done. Hands down. I've rappelled
off cliffs. I've cliff-dived. I've done... I've done stupid, stupid stuff.
I will never go inside the Bent Pyramid again. That
was the most.
Speaker 1: Dangerous thing I've ever done.
Speaker 2: Well, first off, the tunnel is, you know, 200 feet.
You know.
Down at a 45 degree angle it's really steep but
it's only this big so not like the subterranean tunnel
you have to crouch over and and it's very difficult
on your knees and your legs and it's tough but
the bent pyramid you have to go down backwards on
your hands and knees and your back is scraping the
the entire time all the way down and you're going
backwards like this. And what seems like forever, it's probably,
I don't know, 30 minutes, you know, 15, 30 minutes
on like this in this. And you can't, you can't,
if you change your mind, you can't get out because
you can't go around it. It's, it's literally this big.
It's not, It's very tight. When you first approach it
and you look down, it's, I mean, if claustrophobia is
in your world, you can't, it's impossible. It's only this.
Speaker 1: So worse than a subterranean chamber?
Speaker 2: Oh, it's literally a third of the size, the tunnel.
A third. And the subterranean tunnel, subterranean is probably three
foot square, right? Maybe four feet, right? three feet. And
so you can pass people in the subterranean tunnel. If
you have to, you can work, not, not with the
bed pyramid. And so anyway, and it's also, it's 200 feet.
It's forever long. And, um, uh, from the outside, you
start from the outside and go in subterranean. Anyway, the
point is when you get down and you're on the
inside of, uh, the bent pyramid, you can't leave. You can't, no, no,
you can't leave. And then, and now you have to
reverse the process and you've got to do this. Literally
your face is on the bottom of the tunnel and
you're like this all the way up, um, on your
hands and knees for another 200 feet, which seems like
straight up. And it's not, it's dangerous. It's not cool. Um,
people do it all the time and I warn everybody, look,
it's not what you think. This isn't, you know, the
great pyramid, you're upright, right? You're walking, you know, that's,
that's a tour that that's different. You have handrails and, and,
and all of that. No, the bent pyramid is, it's,
it's physically dangerous. And if anything happens to you in.
Speaker 1: There, that's it.
Speaker 2: There's no hospitals. There's no hospitals anywhere. Until Cairo.
Speaker 1: Right. If they can get you out.
Speaker 2: Right, right. Not that there's nobody there. There's no, no, no, no, no.
Speaker 1: But this is an interesting subject that we can amplify to,
for the, for the listeners. And that is how exciting
that we have the opportunity still to explore this earth.
I mean, I, I, in Turkey, I went up to Mount,
have you been?
Speaker 2: Go Beckley Tepe is next year.
Speaker 1: I wish we could do something together.
Speaker 2: I would love to do something with you. I would
love to go Beckley Tepe. I would love to go.
You know, I would like to go. I'd like to
go to Yerevan. I would like to go and try
to find the Ark.
Speaker 1: Mount Ararat, where they supposedly found Noah's Ark, is 26
kilometers or miles, I think miles, from Gobekli Tepe. But
it's mountainous terrain. It's really hard to get there. And
you need permits or whatever. But I'd still love to
see that structure. Because as you know, they've now identified
that there are wooden structures in that petrified wood in
that formation. But the whole area, I mean, I'd love
to do a trip with you. We'll have to talk
about that.
Speaker 2: Yeah. Yeah, for sure.
Speaker 1: The Mount Nemrut. Let's talk about Mount Nemrut. So at
the top of this ridiculously difficult place. I'm no spring chicken.
Freezing cold night. And I forget how many thousands of
feet up it is. But again, it's, you know, no
oxygen up here. And you get up this incredibly long
hike up there. And at the top of this, with
very small space, I mean, it would have to have
been hoisted in by craft. Because there's no way they
could have carried up these huge statues.
Speaker 2: And they're beautiful too they're so beautiful and ginormous one of.
Speaker 1: The great moments of my life because halfway up the
guide that I was with I said I'm not going
to make it I suffer from health sickness which is
why Peru is hard for me and we won't even
talk about Tibet and I said I don't think I'm
going to make it because we were rushing to catch
the sunrise it was freezing ice it was dark it
was brutal And he said, okay, you want to turn back?
He said, you want to sit down and rest? And
I said, yeah. And then he said, Patricia, if you're
not going to make it, we'll go back. I go,
you don't seriously think Patricia Corey made it halfway?
Speaker 2: Trap on.
Speaker 1: And we got there. And this moment where you get
there for the sunrise and the sun moves over these statues.
It's like, it's otherworldly. Mount Nimrud. What an experience that is.
And there's a, let's call it mound. I think there's
a pyramid under it. It looks like a pile of rocks,
a big one, but I think it's a pyramid under it.
Speaker 2: Yeah, yeah, yeah, yeah, yeah, yeah.
Speaker 1: Supposedly it's the King Antioch tomb, but I think it's
a pyramid and could be a tomb. But again, every
time we have a pyramid, they call it a tomb.
I don't think so. And it's just something that, What
a privilege that we can still see these places, which is,
I encourage people, get off of your assets, man. See
these places when you still can.
Speaker 2: I'm going to pull this up for everybody. This is Nemrut.
And this is, it's one of the most remarkable spots
on planet Earth, without a doubt. But it's also a
destination that you have to plan. You don't, You're not
coming in on a cruise ship and taking a ground excursion. No,
this is something that– and it's not visited. I mean
people go and see it, but it's not like what
you think. And most, Patricia, as you know, have never
even heard of it. And it's absolutely incredible. Jessica Rodriguez
just– I want to get to this. She said, what's
at the end of that tunnel– in the Bent Pyramid,
and that is a great question. Now, up until, I'll
just make this brief, at the time that the Bent
Pyramid was built, Senefru, allegedly, okay, let's just go with that,
but I like Senefru, he's a pretty badass pharaoh. But
the interior, he, again, there's no markings, there isn't anything to.
Factually any of this. So let's just go with the story.
He built this to be his tomb, but he built three.
The Red Pyramid, which sits in front of the Bent
Pyramid in Saqqara, was allegedly his final resting place. So
he built three pyramids in like 10 years. All right. Anyway,
go figure that. But the Bent Pyramid, was the largest
enclosed room in the world. Okay, now you got to remember,
we're talking about 2600, 2700, 2800 BC. Okay, that's a long,
it's at the beginning of the Egyptian civilization, again, allegedly.
But the interior of it, when you get down, inside
and you stand in there, it is a big open room.
We got 80 people in there. Wow. Yeah.
Speaker 1: You got 80 people to crawl through this thing?
Speaker 2: Sure did.
Speaker 1: Yep.
Speaker 2: You know, you know what happened when the last person
came out of the tunnel, right? I looked down and
I said, tunnel empty tunnels, empty church. I said, everybody,
Have a good time. I'm out of here. I can't,
I can't, I can't do this anyway. Um, yeah. So
that was, that's at the end of the tunnel is, uh, uh,
this giant room with a wooden staircase that goes up
to the, there's two tombs, two chambers up above, uh,
which I've been up to. And, uh, but, but that's,
what's down there. It's, it's, it's dicey, man.
Speaker 1: And when you say tunes, are you talking about sarcophagi?
Speaker 2: Again, no, just the arias are there.
Speaker 1: So they managed to.
Speaker 2: Well, they never finished it. Okay, so the reason why
it's bent on the top, it's very steep on the
bottom and it's bent, is because it started to collapse
on itself. So they brought in... This is Senefru, man.
it's crazy, Imhotep, right? The dude, his engineer, his designer,
his architect. So the way that it was collapsing on itself,
they brought in all these timbers, these wooden beams, and
they installed them on the inside of the pyramid. And
they're giant wooden beams. scaffolding that goes across to keep
the pyramid from collapsing on top of itself. And then
they built the top half at another angle. But nobody
ever occupied it. He ended up building the Red Pyramid
up the street.
Speaker 1: So the historians say that all of these pyramids were
them trying to, to refine their ability. And then they
built the great pyramid.
Speaker 2: Right.
Speaker 1: And I had this conversation and said, no, the great
pyramid is like 50,000 years old.
Speaker 2: It was already there.
Speaker 1: It was there. And they tried to reproduce it and failed. Yeah.
Speaker 2: So I have no problems. No. Well, here's the thing
with that. And I agree with Hakeem. Um, When you
go to Giza, especially after you go to different sites,
you know, Hatshepsut is a really good example. But you
go around, you know, Dendara, Abydos. You go to Camambo.
You go to these different places. And then you go
to Giza. And Giza just feels way old. Way old.
It doesn't look like everything else that you go and visit.
It's just got a different feel and a different vibe.
Speaker 1: It has a different feel, absolutely, because it is, again,
it's the epicentral point on the planet, longitude and latitude.
It's like whatever, I mean, my humble opinion is that
some civilization was like, oh, that's the point.
Speaker 2: Yeah, yeah, yeah. When you go to, I'm so glad
you brought up the Sphinx because When you go inside
the Sphinx enclosure, and Robert Schock, great work. DeLubich, great work.
John Anthony West, great work. No question about it that
they opened our minds up and the world to these ideas.
But when you go into the Sphinx enclosure, it is
frigging old. It's old. It's rounded. It's weathered.
Speaker 1: It is.
Speaker 2: You go to these other sites where everything is precise
and cut and thick and beautiful and engraved and painted.
And you go to the Sphinx enclosure and the Great Pyramid,
by the way. And you go and you look.
Speaker 1: No, man.
Speaker 2: All those temples at Giza, all of them are old. Really,
really old.
Speaker 1: Bearing in mind that the Sphinx was buried up to
the neck until when? 1957? Napoleon. Yeah.
Speaker 2: Yeah. Yeah. Oh, yeah.
Speaker 1: Yeah. What am I saying? 57. Imagine that. Imagine Napoleon
arriving there and seeing all this sand, this huge pyramid zone.
I said this. And then this head.
Speaker 2: Right. When you look at the drawings that Napoleon's artists
did in that period, when they first arrived there, the pyramid,
the Great Pyramid, is covered in sand. It's going halfway
up the pyramid. And so all of Giza, now today,
you know, they're trucking sand out of there every single day.
But back then, that was, you know, there was nothing there.
The pyramids, the head of the Sphinx, and sand.
Speaker 1: Imagine. Yeah. I have to say that in 1997 already,
there was such a different experience there. That little village,
these people had lived there for generations where Hakeem had
his house. And then imagine just sitting on his balcony
underneath the Sphinx, right? And before the gate and the
doors and the parking lot, it was just stepping off
and being on the sand.
Speaker 2: I can't imagine. Well, like Muhammad said, you know, they
were just riding their bikes.
Speaker 1: Yeah. And like Hakeem said, we went down and played.
He said there was an entrance. I said, was it
a hole? He said something like a hole, but not exactly.
I said, okay, something like the Osiris shaft. He said, no,
not that serious. You just, we found a way to
go down. And then he said it was nonstop tunnels.
They played all the time.
Speaker 2: You know how close we were until Napoleon. Okay. If
it wasn't for Napoleon, none of you and I are
not having this conversation. But this is the insane part.
And Hakeem talks about this, and I talk about it
a lot. In the year 425 A.D., the last hieroglyphic carving,
the last hieroglyph was carved in a temple in 425.
That priest died. And when that priest died, nobody knew
how to read hieroglyphs. Nobody knew how to read the
ancient language. And everything was forgotten. So Egypt itself was
this mythological place, this Shangri-La, this mythological place. And until
Napoleon showed up, we didn't know anything. So Napoleon discovered
in his team the Rosetta Stone. That happened because of Napoleon,
and it wasn't deciphered until 1822. All right? Now, when
you think about that, 200 years ago, right? Just 200
years ago. So from Cleopatra to Napoleon, nobody knew anything.
Speaker 1: And now imagine that Gobekli Tepe, which is 10,500 years old.
Karahan Tepe is another thousand years old. And all of
it's being discovered there. Again, it's another, we don't understand
what the glyphs mean, although there are all kinds of interpretations.
But you do know that on one of the pillars
you have the famous purse, the famous purse, the Babylonians,
the Marians.
Speaker 2: There's three of them at the top.
Speaker 1: Three of them. Yeah.
Speaker 2: Yeah.
Speaker 1: It's fascinating to me that there's three purses. This theme
keeps reoccurring in all the sites.
Speaker 2: Around the world. Yeah. Right?
Speaker 1: Around the world. What is your understanding of what's in
those bags?
Speaker 2: I've interviewed so many different people that are much smarter
than me. And everybody's got a different take. I do know.
That whatever it is was so important that these different
cultures carved it in stone for us. Right? It was that.
Speaker 1: Over and over again.
Speaker 2: Yeah. It was that important. And so some form of knowledge.
Speaker 1: Yeah.
Speaker 2: Some form of knowledge.
Speaker 1: A symbol of the knowledge being carried. Mm-hmm. From the
gods being handed in this bag. But the fact that
it's the same position of the arm every time. I mean,
in the case of Gobekli Tepe, it's just the three
bags on the pillar, right? But you, as you well know,
it's always the same with the arm.
Speaker 2: Sort of outstretched. Yeah, the Mesopotamian depictions of it. It's
in Peru. Yeah, yeah, yeah.
Speaker 1: Mexico. Mexico.
Speaker 2: Yes, yes, yes. Same identical purse. I'm going to call
it a purse, right?
Speaker 1: Yeah.
Speaker 2: The handbag. So, I mean, was it the nuclear codes?
Is it DNA? Is it this? Is it seeds? Yeah, yeah, yeah.
Is it the nuclear football? So, I think whatever, I
think it was knowledge. It was knowledge. I think so, too.
Speaker 1: Yeah.
Speaker 2: And some things, I mean, it was preserved for us.
But if we go back, we don't have the answers.
And that's the crazy part. It was so important then,
but today we don't have a clue. And there are
many examples of just that. I'll give you another little taste,
a little nugget. We know now. that the pharaohs all
wore two crowns, one for Upper Egypt, one for Lower Egypt.
Lower Egypt was the white conical crown. Upper Egypt was
the conical white. And Lower Egypt, which is on the
Mediterranean where Cairo is, they had a red crown on
the front. So it was the combination of the two,
Upper and Lower Egypt united under one king. Okay. Pharaohs
and gods for the next 3,000 years all wore the crown.
The two crowns. It's in every temple. Papyri. It's everywhere.
You ready? We've never found them. There are no crowns
in existence. But for 3,000 years, every pharaoh wore one.
And then so, You would ask, what about King Tut's tomb? Right?
We had thousands of artifacts in there. No crown.
Speaker 1: So symbolic.
Speaker 2: Don't know.
Speaker 1: The thing about the purses is the idea that they're
bringing knowledge works for me. But why is it identical
all around the planet in this bag?
Speaker 2: Right, right, right, right, right. So trading knowledge. The sacred knowledge,
like I said, could it be DNA? Could it be bloodlines?
Is it, you know, like the Library of Alexandria, right?
Is it knowledge that is being traded and handed off
between cultures? And I would say that that is probably
pretty close where these cultures around the world obviously communicated
with each other. and to have the same stuff identically
carved into stone and to say that it's just a thing.
It's not, it's not.
Speaker 1: It had to be the gods. Let's say the ETs
presented themselves with the same symbology for all these different civilizations,
but it is very trippy. I mean, when I was
in Gobekli Tepe, which is a phenomenon, there's a lot
of mixed feelings about what's going on there, uh, which
we don't have time to get into now, but, um,
It's not all love and light at Gobekli Tepe. And
you know that they buried, they believed, Charles Schmidt, I believe,
was the archaeologist who believes that they deliberately buried the temple.
And it's got some strange energy going on. But they
still have those three bags.
Speaker 2: You know where there's a, I can guarantee you where
there's a handbag today. It may be even the Pharaoh's crown. Where?
Inside CERN. I'm just saying, man.
Speaker 1: Oh, God.
Speaker 2: I'm just saying. I'm just saying. The Illuminati room. You know,
we talk about these bloodlines and cabals and who is
really running. There is probably some castle, right, in northern Europe.
Pick the country. Luxembourg. Whatever. Switzerland. Some Rothschild mansion. You
go over there.
Speaker 1: Yeah, exactly.
Speaker 2: Exactly. And so you go over to the Rothschilds pad
for dinner and they go, hey, you want to see
my Sumerian handbag? I got one. It's in my curiosity
cabinet in the living room. Next to my next to
my pharaoh's crown.
Speaker 1: That's very interesting I never thought about the fact that
I've never seen one of those.
Speaker 2: Crowns yeah for 3,000 years and not one.
Speaker 1: A symbol symbolic I don't.
Speaker 2: Think it's symbolic I think they wore them man it's
weird and I'm telling you I'm telling you, just like
those Sumerian handbags. Those crowns are in the possession of somebody.
Speaker 1: I see what you're saying.
Speaker 2: Yeah. Interesting.
Speaker 1: Yeah.
Speaker 2: Very, very, very powerful things, like those Sumerian handbags. And
I say Sumerian. It's in every, you know, go back
to Lutepe, for example. They're out there.
Speaker 1: I was flabbergasted when I saw them because I was
not advised about this. So when I went to the museum,
because there's a replica, they've taken it out. I think
the original is in the.
Speaker 2: Check out this post. Hold on. I got to show
you this. It says... I saw a photo of Elon
Musk's mom, and she was carrying a bag like the ancients. Oh, man. See,
that's what I'm talking about. That's what I'm talking about.
Hidden in plain sight.
Speaker 1: I really think that we need to somehow just figure
this thing out with the bags, because it's one of
the great mysteries, and we're so close to understanding it,
but it's always conjecture. There's got to be a way
we can decode this.
Speaker 2: We're already past our deadline here, but I just want
your comments on one thing really quick. We are now
officially neck deep in this AI thing that is happening. Dangerous?
Is there something to worry about?
Speaker 1: Absolutely. I mean, first of all, I see these videos
and I'm just like, again, it's this parallel. I don't
believe that this is the Nash, the natural progression of
where we were in 2019 to now seven years, eight
years to reach the point where you've got these robots
marching down the street, the automatic cars, the whole thing.
It's too fast. This is why I'm convinced, which is
bringing it back around to the beginning of the conversations.
of have we been catapulted into this artificial or parallel Earth?
And as far as is it dangerous? Well, you know
they're putting human brain cells now into the technology to
try to merge the human brain with the supercomputers.
Speaker 2: 100%.
Speaker 1: And they're making progress. So when we talk about is
it dangerous, The plan is to eliminate Homo sapiens 1.0,
as we are affectionately called, and invent the board, the cyborg.
And unless we stop it, this is the future of
the planet. I do not believe we're going down that way.
Speaker 2: If you had the opportunity, this is just hypothetical. Okay,
open up your mind for a second. You can tell
me to F off if you want. But if you
had the opportunity... If somebody came to you and said, okay, Patricia,
we can upload your memories, your soul, and your entire being,
that is you, into this Android, and you can live
forever illness-free. You don't have to worry about anything. You
can be you and learn and live forever. Do you
do it?
Speaker 1: Negative, because I already know that I'm immortal. I don't
have to be in a physical body that's aged, by
the way. I'm an immortal soul. So the idea of
clinging to some aspect of physical life, even if it's
mechanical physical life, versus going on, crossing over the bridge,
going on to whatever next destination, My soul awaits. I'm
not clinging to physical life.
Speaker 2: I don't want to be in a machine. Right. But
these ultra billionaires, that's what they want to do.
Speaker 1: It's because they don't believe in anything else but the material.
So they're clinging to, I mean, someone I love very
much in my family said, I really envy you. You
really do believe this shit, don't you? I said, what
shit is that? that there's an afterlife that you're going
to go on. I said, yes, I do. He said,
I said, what do you believe? He said, I believe
that this is it. 80 years, if you're lucky and
then you're done. And what a waste of energy. I mean,
what a purposeless thing, 80 years. And then there's nothing
but darkness. He said, there's nothing period. I was like, wow,
it must be very. Yeah. Isn't that horrible?
Speaker 2: Yeah, it is. I want to continue to live with
the mind of a five-year-old. Why is there air? I
want to think like that, right? I don't ever want
to lose that. I truly, truly have the same dream
pondering mind that i had when i was 18 i
just happen to be in this body but i i
look look how i live do i do i live
like who we thought a 65 year old man should
live no i don't i'm wearing a zz top t-shirt
it's wonderful you know what i mean So that's, you know,
and that's, I don't want to lose sight of that.
And somebody that, um, uh, is driving around not wondering
or thinking or contemplating, uh, the, the beauty of the universe. And,
and you know what I mean? And you're not, and
you're so closed down that you, you actually believe that
when you die you become fertilizer and you achieved your
place in evolution and that that's all there is man
that's you it's.
Speaker 1: So it's so pointless there's no in the divinity of
creation all the wonder that everything is a leaf a
blade of grass a butterfly in the immensity of creation
What would be the point?
Speaker 2: Yeah, what would be the point? When a baby deer
is drinking water out of an ice-cold bubbling brook, right?
And you're watching that, and you think that there's nothing? Oh, God. Oh, man. No,
that's not me. That's not me.
Speaker 1: No, no, no, no. I'm more than happy to go
on to my next destination, which hopefully will include my mother,
who is Sitting on a cloud somewhere, making cappuccino.
Speaker 2: You're so wonderful, Patricia. Thank you so much. Where can
everybody follow your work?
Speaker 1: It's very simple. PatriciaCorey.com is my website. And I'm not
really active very much on social media, but I am
on Facebook.
Speaker 2: Yeah, right on. I can't wait to come hang out
with you. And we're going to go.
Speaker 1: You keep promising.
Speaker 2: Yeah, I know, I know. Let's go knock some doors
down together. All right?
Speaker 1: Let's do it.
Speaker 2: Patricia, you're the best. Enjoy the rest of your night.
Now we hear their crickets. Okay.
Speaker 1: Thanks a million, Jimmy.
Speaker 2: You're the best. Thank you, Patricia.
Speaker 1: Good night.
Speaker 2: Good night. What a perfect, perfect night on the show.
Thank you, Patricia. And, uh, of course, an amazing way
to start out the week here on fade to black.
She's absolutely wonderful. Uh, Patricia Corey, the links are below
over at our website and throughout social media. Uh, Tomorrow
night on the show, what am I doing tomorrow night?
Does anybody know what I'm doing tomorrow night on the show?
Tomorrow night, Chase McCarty is here, and we had to
reschedule Chase. Chase McCarty is here. Tomorrow night, we are
talking about remote viewing. I'm your host, Jimmy Church. This
is Fade to Black. All I've got now is go back,
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