Box 13 - "Hunt and Peck" (Old Time Radio, 2012)
Box 13 presents “Hunt and Peck,” episode 29 of the Alan Ladd mystery-adventure series, originally broadcast on March 6, 1949. Ladd stars as writer-investigator Dan Holiday in this Mutual network production, written by Russell Hughes and directed by Vern Carstensen.
With a condemned man facing execution in 48 hours, Dan reviews a murder case built around a crucial typed note. The investigation hinges on an overlooked detail: the difference between touch typing and hunt-and-peck typing.
Box 13 presents the original broadcast with a newly produced contextual introduction, a short closing announcement, and gently cleaned/mastered audio for a more consistent listening experience.
Chapters:
00:00 Victor Sterling Introduction
00:48 Original Broadcast
27:21 Closing
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Speaker 1: Russell Hughes wrote this Box thirteen case, directed by Verne Carstensen,
with Alan Ladd as Dan Holliday and Sylvia Picker as Susie.
In Hunt and Peck, Holiday receives a last chance appeal
from Martin Kirby, condemned for the murder of his best
friend and facing execution within forty eight hours. The investigation
brings Holiday to a state penitentiary and back to the
evidence in the case where a typewritten note may hold
an answer, the original proceedings overlooked. This is episode twenty
nine of Alan Ladd's mystery adventure series, originally broadcast over
mutual on March sixth, nineteen forty nine. And now our
story begins.
Speaker 2: Box thirteen with the Star of Paramount Pictures Alan Ladd
as Dan Holliday.
Speaker 3: Box thirteen, care of Star Times.
Speaker 4: We're allowed newspapers here, and by chance I saw your advertisement.
I have exactly forty eight hours to live, no more
than that unless you can do something which no one
else has been able to do. Get me out of
the death cell of the state penitentiary. I was tried
and convicted for the murder of one of my best friends.
Speaker 3: I was tried and convicted for the murder of one
of my best friends. I didn't do it well, you
try to help Martin Kirby. When I received the letter
from Martin Kirby, I wondered how a man felt who
had only a short time to live and do it
before the thing was over and I had stopped wondering,
I knew.
Speaker 2: And now back to Box thirteen and Dan Holliday's newest ad.
Speaker 3: Butch your hunt impact.
Speaker 5: Gee, mister Holiday, what can you do about it?
Speaker 3: Susie? I wish I had an answer for you.
Speaker 5: You're going to see him, aren't you.
Speaker 3: Well? If I don't, I'd kick myself all over the
city for not doing what I could. On the other hand,
he was tried, convicted, and sentenced.
Speaker 5: But it could be wrong.
Speaker 3: I mean, I know what you mean, Susie's. Sentencing a
man to death is a terrible thing. The evidence against
Kirby must have been pretty strong.
Speaker 5: Uh huh, I guess it was. You're on the horns
of an at amma.
Speaker 3: The lemma this time, Susie. I don't laugh.
Speaker 5: What are you going to do?
Speaker 3: The only thing I can do see Martin Kirby and well,
at least listen to him. I didn't think you'd come,
mister Holiday.
Speaker 4: Why well, there must have been a million guys in
this place, all innocent.
Speaker 3: Sure, maybe some of them were. And are I am?
I yeah? What time? I mean? I know what you mean.
It's one thirty.
Speaker 4: Now I've got the rest of today and till tomorrow
night at eleven.
Speaker 3: Thirty thirty four hours. I know I've counted them too,
all right, Kirby, What can I do? I don't know.
Is there anything you can tell me? Something that didn't
come out of the trial.
Speaker 4: The only thing that didn't come out at my trial
was the fact that I didn't kill Leslie Roberts. Oh,
I kept saying it, but there was too much against me.
At first, when I got here, I didn't care anymore.
If they wanted to see an innocent man die for
something he didn't do, then it was murder on their heads.
But now, mister Holliday, I.
Speaker 3: Want to live, sure, sure, but there's nothing you can
tell me, anything that I can go to the police
with and get a reprieve, a stay of execution.
Speaker 4: My lawyer's tried that a hundred times. My case has
been reviewed. Nothing doing, And.
Speaker 3: What you're asking of me is to do what everyone
else has failed at. I guess that's it, you know, Kirby.
It's at times like this that I wish I'd never
put that box thirteen add in the.
Speaker 4: Paper, meaning there's nothing you'll do.
Speaker 3: No, no, I didn't say that. I'll try, But thirty
four hours is a short time. Look, maybe you will
go at this with a fresh slant. Maybe something will
hit you that everyone else has missed. Yeah. Maybe all right, Kirby.
It'll take me two hours to get back to the city,
and if I'm going to do anything, I'll have to
do it fast. Driving back to the city, I felt
like someone who has to tell a kid there's no
Santa Claus. Because I was almost sure that Kirby had
no chance. What could I do? The police were no fools.
The district attorney must have had an airtight case against
Kirby when he went to trial. Well, I'd promised to help.
So my first stop in the city was the Star
Times and down to the Morgue to read up on
the case. It was all there. Whoever covered the case
for the Star Times with done a great job of reporting.
I looked at my watch. It was three forty five.
Martin Kirby had two hours and fifteen minutes less than
the original thirty four. And all I had done so
far was it was the stack of a pile of newspapers.
I started from the beginning, but the story of the
murder of Leslie Roberts itself told me nothing. And I
got into the transcript of the trial. It took me
three hours to read everything carefully, and when I finished,
I could have I could have summed up the whole thing,
just as the prosecutor did the jury.
Speaker 6: You've heard the testimony in this case. The state has
proved the following facts. One, Martin Kirby was desperately a
need of money. Two, the deceased Leslie Roberts was insured
for one hundred thousand dollars, his beneficiaries being the accused,
Martin Kirby and another partner, William Morgan. The double indemnity
clause in the insurance policy meant that both Kirby and
Morgan would receive one one hundred thousand dollars each. Third point,
the accused quarreled with a deceased over Missus Roberts, wife
of the murdered man. Fourth, we have established the murder weapon.
This gun belonged to Martin Kirby through the serial numbers
were filed off. But scientific work revealed the numbers, and
this gun belonged to Martin Kirby. He's admitted it and
thinking to get rid of it, he threw it into
a sewer near Leslie Roberts home. Now, perhaps mister Kirby
believed the police of this city to be fools.
Speaker 5: Far from it.
Speaker 6: Their work is established beyond doubt that Marvin Kirby is
a murder.
Speaker 3: Oh sure it was a good case. I stacked the
papers in a pile and left the Star Times and
went down to police headquarters to see Lieutenant Kling.
Speaker 7: Sit down, Dan, it's on your mind.
Speaker 3: Mark and Kirby. Oh, why I've seen him? He wrote
the box thirteen.
Speaker 7: He's in it.
Speaker 3: Did you work on the case?
Speaker 7: No? Inspect the Rowlings handle it?
Speaker 3: Why? But you know about it?
Speaker 7: Sure? I sometimes managed to know what's going on.
Speaker 3: Look, Kling, you're a good detective. You've got brains.
Speaker 7: I'll buy them all at milk sometime. But you didn't
come here to handmade posies.
Speaker 3: Do you believe Kirby is guilty? Yes?
Speaker 7: Got the evidence, that's what we base our cases on.
It's inherent in the judicial and legal system. Now what
do you want from me? A new system?
Speaker 3: I told you I saw Kirby cling. He doesn't act
like a guilty man.
Speaker 7: And then I wait a second, who's this? That's a
photograph of Marion Oberling.
Speaker 3: So what am I supposed to do?
Speaker 7: Look at it? Nice and sweet, isn't she I've never
met her, but I did, But it wouldn't melt in
my mouth. A smile that would soften up the rock
of Gibralar talks like an angel, but she killed a kid.
They get thirty five cents from him. Look, you've got
a soft heart, Dan, which you've got a tendency to
run right into your head.
Speaker 3: Maybe a right cling. But but I promised Kirby I'd
plug away until time was I.
Speaker 7: I like to keep promises, and that's your business, Dan.
But why did you come to me for any help
you could give me? Which adds up to a big
zero playing I read the transcript of the trial, Kirby
was the only suspect. He had motive opportunity, so.
Speaker 3: Did missus Roberts and William Morgan.
Speaker 7: It was Kirby's gun that put Leslie Roberts in the obituaries.
Speaker 3: Someone else could have used it, so.
Speaker 7: His defense lawyer said, But Kirby couldn't explain how it
got into that sewer.
Speaker 3: But Kirby called the police when he went to Roberts's
house that night and saw Roberts dead. Shoo shore.
Speaker 7: We get dozens of cases where the killer tries to
play smart. He calls the police, figuring it'll make him
look good.
Speaker 3: But he had to kill Roberts, run outside, throw the
gun into the sewer, then go back inside and call
the police. So it's a big chance to take in
case someone heard the shot and came to investigate.
Speaker 7: Killers.
Speaker 3: Take chances, dan, Okay, Okay. Now, the paper said there
was a note from Roberts asking Kirby to come to
his house that night.
Speaker 7: Yeah, that's why Kirby said he happened to go to
roberts house that night, the only night in the week
that missus Roberts is always out.
Speaker 3: The police said Kirby could have typed that note, right,
But Kirby's defense lawyer said Roberts could have typed it.
Speaker 7: Look, you type a note to me asking me to
meet you, then what do you do?
Speaker 3: What do you mean? What do I do?
Speaker 7: You write your signature nine times out of ten, you
don't type.
Speaker 3: It, so that means anyone could have typed it.
Speaker 7: I know, I know to get Kirby to roberts house.
Speaker 3: That's it.
Speaker 7: So that was all brought out of the trial. The
jewelry saw it the way the prosecution summed it up,
that Kirby typed that note to make a seem as
though he was asked to Roberts place.
Speaker 3: Both Missus Roberts and Morgan also stood again by Robert's death.
Each gets one hundred thousand.
Speaker 7: Look, the case is closed. Too many things added up
against Kirby. Sometimes things can be added up wrong figures
and facts. You're knocking your head against a stone wall,
so I'll get a headache.
Speaker 3: That's about all. Okay, I'll Kerry Aspuren's with me. But say,
could I look at that I four? This is a favor.
Speaker 7: Okay, I'll take care of it for you, but I'll
give you six to two and even that Martin Kirby
will be executed tomorrow night at eleven thirty.
Speaker 3: Well, Kling got me in the note, so I had
it and saw what all it said was Marty be
at my house. Tonight at eight thirty less. It was
typed and had been left in Kirby's typewritter at the office.
Susie and I have studied it.
Speaker 7: What do you.
Speaker 5: Expect to get out of it, mister Holliday.
Speaker 3: I don't know, Susie.
Speaker 5: Gee, like you said, anybody could have typed it.
Speaker 3: That's right, Kirby denies he did. Nobody can prove Roberts
did or didn't not know.
Speaker 5: Maybe that mister Morgan or Missus Roberts did. Gee, what
if either one of them did it and they're letting
an innocent man be executed? Oh, it wouldn't be a
comfortable feeling, Susie. What's the matter? Did I say something?
Speaker 3: Yeah? Yeah, yeah, Maybe you did, Susie, Maybe you did?
What conscience? Who's missus Roberts and Morgan's?
Speaker 5: You mean both of them killed? Mister Roberts.
Speaker 3: Give me that phone book? Here it is, Thanks Roberts Roberts,
Leslie Roberts.
Speaker 5: What are you going to do, mister Holiday?
Speaker 3: By a little poker?
Speaker 5: You're gonna play cards at a time like this?
Speaker 3: Not quite just a bluff. I'm holding a pair of deuces.
Speaker 5: I don't get it.
Speaker 3: Hello, is this missus Leslie Roberts Yes, who is this?
Never mind? Just listen. Tomorrow night at eleven thirty, just
twenty four hours from now, Martin Kirby will be executed
for the murder of your husband.
Speaker 5: Who are you?
Speaker 8: What do you want?
Speaker 3: Does your conscience bother you? Missus Roberts What do you
mean by that? Don't you know, Missus Robertson, Is this
some kind of a stupid joke? Hardly they're not joking
at the State Penitentiary. Missus Roberts. Yes, I know something
that can make you uncomfortable, but I'm willing to talk
about it.
Speaker 4: I don't know what you mean.
Speaker 5: You're either insane or completely without feeling.
Speaker 3: If you're interested, meet me at the corner of Carpenter
and past Till Place at midnight.
Speaker 5: And why should I do that?
Speaker 3: That's for you to think about. But I think you
know already. I listen carefully. I'll be wearing a light
tanned top coat, brown felt hat. I'll carry a leather briefcase.
Speaker 5: Goodbye, mister Holiday. What was that for?
Speaker 3: I told you all I've got is a pair of deuces.
Now I'll make the same call to Morgan, But first, wonder.
Speaker 5: Kling and certainly bewildered.
Speaker 3: Don't you ever change? You're wonderful as is? What did
I do nothing at all? Susie? After I make this
call to Kling and wonder Morgan, I'll either have something
to help Mark and Kirby, or a what or a
wonderful notice in the obituary column of the Star Times.
Speaker 2: Now back to Hunt and Pet, another Box thirteen adventure
with Alan Ladd as Dan Holliday.
Speaker 3: I made the same phone called to William Morgan, and
I made the missus Roberts, but I tipped cling to
something before I did. At midnight, I was the corner
of Carpenter and Pastel Place, waiting sure it was a bluff,
and I figured all was fair in this game. Ten
minutes went by, no one showed up. Then got a
light bub Yeah, sure.
Speaker 9: Thanks, it's all right. So wonder they wouldn't put street
lights here. Guy could get lost easy, Yeah he could. Yeah, okay,
thanks for the light.
Speaker 3: Good welcome, okay, Jack, you a borrow day.
Speaker 5: Good night.
Speaker 3: Maybe I played the wrong cards, maybe no one would
show up. It was twenty minutes past midnight. I stepped
out of the shadows where I'd been standing I felt
pretty silly, and I knew what Kling would say. I
was twenty feet away from the corner, walking slowly, looking
up and down the street. There's no one in sight.
Lights in the windows of the house went out slowly,
one by one. I was thirty feet away from the
corner when.
Speaker 5: Dick Dick is at you. Somebody shoot.
Speaker 3: Right here? You get it?
Speaker 9: Yeah?
Speaker 3: Yeah, in the arm sergeant.
Speaker 5: Listen, he does.
Speaker 7: People back people now houses. Tell Thomps to take a
couple of poison scar in this neighborhood. Find the person
who fired that.
Speaker 3: Shot, whoever it was, the one who should die on
Martin Kirby's place.
Speaker 7: You're an idiot.
Speaker 3: You set yourself up like a clay pigeon. How's bad
out that's the yarmough, it's not so deep as well
or white as a church door. But we'll do.
Speaker 7: How do you like this guy? He gets winged and
quote Shakespeare.
Speaker 3: Okay, let's get you out here.
Speaker 7: Feel better?
Speaker 3: Yeah? Thanks?
Speaker 7: What for?
Speaker 3: Who fired the shot?
Speaker 7: I don't know, no luck, whoever it was was in
one of the buildings. And running somebody to ground in
that neighborhood takes a squad of men.
Speaker 3: Yeah, I was afraid of that.
Speaker 7: Okay, so what have you got now? A bullet three round?
Speaker 3: Morgan is the real murder of Leslie Roberts. Boy, this
is Roberts reported my phone call to you, didn't she
That's right? Morgan didn't I know that? So he was
afraid it was a blackmailer who knew he killed Roberts.
He would have reported my call to you if you
had nothing to be afraid of.
Speaker 7: Sure, sure looks good in your head, but what proof
have you got that Morgan fired that shot tonight?
Speaker 3: None? But on the strength of it, can't you get
a stay at execution for Martin Kirby? How I call
up and say you a good shot? You think it
was Morgan? Morgan denies it. I no, soap dad, You
got to stay for Kirby. You need positive evidence and
this hole in my arm doesn't come. Only is a
strike against you, and you're lucky at that. What do
I have to do?
Speaker 7: If you could prove Morgan fired that shot, you'ld have something.
But what you'd have is that he fired at you,
not that he killed Roberts. Say so, swear I weren't.
We'll bring him in.
Speaker 3: No, no, no, no, don't do that. Let me ask
one more question. But what do you think of the
whole thing?
Speaker 7: Now? Well, come on, come, what do you think? I
think you've got something? But the police haven't.
Speaker 3: I was afraid of that, all right, Cling, any objections
if I keep going, none for me.
Speaker 7: I shall have to do it alone. As far as
the Department's concerned. That Roberts case is closed, I'd never get.
Speaker 3: Permission to work on a dad, not even on your
own time.
Speaker 7: That's different.
Speaker 3: Okay, keep in touch.
Speaker 7: I will Meanwhile, you keep alive.
Speaker 3: Well, there wasn't anything more I could do that night.
Took my punch your diamond myself home and got some sleep,
not much, though, because I knew I was right and
Cling was right. Only two people knew I'd be at
Carpenter and Pastel at midnight, Morgan and Missus Roberts. Missus
Roberts had called the police report my call. Morgan hadn't.
All Morgan had to do now was to lay low
until Krebby was executed. But he had been work enough
to take a shot at me. Then I thought of
something else. The next morning, in my office, it's holiday. Oh,
good morning, Susane.
Speaker 5: Your arm it's in a sling.
Speaker 3: It's becoming, isn't it. What happened was shot?
Speaker 5: Oh? Who shot you?
Speaker 3: William Morgan? I'm sure, but never mind that. Now I
want you to help me.
Speaker 5: Well, sure, mister Holiday, but I won't get shot, will I?
Speaker 3: Here is it? I'm the typewriter, all right. Now. Look,
I've typed out a bunch of slips with Now is
the time for all good men to come to the
aid of their party with one arm. Good enough, Now
you do the same. Go ahead.
Speaker 5: I don't understand.
Speaker 3: I'll explain why you're type. Go ahead, Okay, the note
left for Martin Kirby was typed. What I'm trying to
do is to find out if the style of typing
can be definite enough to pin on one person.
Speaker 5: You mean I typed differently from you.
Speaker 3: I use hunt and peck and you use the touch system.
Oh you say, Missus Roberts used to be a secretary.
She'd use the touch system of typing. Martin Kirby could type,
so you so could William Morgan.
Speaker 5: Then what good will all this do you?
Speaker 3: I don't know. I don't know. Okay, Susie, that's enough.
Now mix up the slips and pick one at random.
Then you tell me who type it?
Speaker 5: All right? I type that one. How do you know
it's smoother than yours?
Speaker 3: Is not the only way you can tell? Uh huh?
And if I type touch system would be pretty tough
to tell. The slips upont Oh.
Speaker 5: Sure all touch system is smooth looking, the letters are, well,
they're all about the same blackness.
Speaker 3: Okay, that's another lead shot.
Speaker 5: Gee, I'm sorry, mister Holiday.
Speaker 3: Look at that clock. Ten minutes past twelve, less than
twelve hours left for Kirby. Susie, I'm as sure as
I can be that Morgan's guilty. But he shot me
last night, then.
Speaker 5: Why don't the police arrest him? It's dangerous for a
man like that to be loose.
Speaker 3: Yes, I think you're right, But Susie, remember what you
said about conscience. Well, look, if Morgan was sure of himself,
he wouldn't have tried that stunt last night. All Right,
Because he did, it means that a little more work
on him might make him break. Huh.
Speaker 5: You're not going to let him shoot at you again?
Speaker 6: Oh?
Speaker 3: Not if I can help it. But I am going
to see him.
Speaker 5: You will be careful, won't you, mister Holiday.
Speaker 3: Susie, I have only one life to give my work.
But it so happens, I like it. He took the
rest of the day, But I learned all I could
about mister William Morgan, and there wasn't one thing that
pointed at him as a killer. But I was sure
he'd killed Roberts and framed Kirby. He knew Kirby and
Roberts had quarreled. He could have taken Kirby's gun from
Kirby's desk at the office. He could have typed the
note leading Kirby to Roberts house. And among other things,
he had been a demonstrator for a typewriter concern. How
did that help? Answer? Not at all, because missus Roberts
and Kirby both type touch system that I found out
when I read the record of the trial. Okay, I
had one angle left. Work on Morgan, work on him
hard enough to crack him wide open, if it could
be done. So. That night, two hours before Martin Kirby
was to die, I buzzed at Morgan's house. Yes, what
is it, mister William Morgan? Yes, who are you? I'm
a writer. I have nothing to say. Excuse me, get
your foot away just a minute. Did you receive a
phone call last night? Come in? Thank you? What about
a phone call? Did you have one last night? I
don't know what you're talking about, but you let me
in when I mentioned it. Sit down, okay? You are
you hurt your arm?
Speaker 7: Yes?
Speaker 3: It got in the way. You mentioned a phone call?
Yes I did. Cigarette? No thanks? That ashtray is awfully
for You must have been smoking a lot. So what
nervous mister Morgan? Now look here, I've had enough of this.
What do you want? And who are you? My name's Holiday.
I called you last night. It was a gruesome joke,
Holiday one I didn't appreciate at all. I wasn't trying
to amuse you, Morgan. Why did you make that call?
Before I answer that, take a look at your clock?
Well what about it? In one hour and fifteen minutes,
Martin Kirby will be executed for a murder he didn't commit.
Why don't you say what you've come to say? Because
I'm waiting for you to say something. You mean you'd
like me to say something that would Oh no, Why
didn't you tell a police about that call last night?
Big fully laughing?
Speaker 8: Yeah, so the police know that you made that call? Yes,
I oh, that was very bright of you, mister Holliday.
No blackmailer would have told the police he made that call.
If you knew anything and were planning to trap me,
you'd have kept it to yourself.
Speaker 3: Right, Morgan grinned at me, knew I'd walked right into it.
His nervousness seemed to just ooze away. He lighted another
cigarette and kept grinning at me through the smoke. And
don't you think you'd better leave now? Holiday? Morgan? There
was a note typewritten. You typed it? Did I?
Speaker 7: Yes?
Speaker 3: Maybe you don't know this, but that note can put
you in Kirby's place. Yes, how well, there's a way
of telling who typed a note. Every typist is a
different touch, and when in large, the touch of one
typist will show up differently from another's. Kirby's defense lawyer
missed that bet. But I didn't you talk a great
deal too much? Holiday? But it's interesting conversation. I don't
believe what you said. No, here's the note. The police
led it to me, and man, that's all holiday stay sitting.
You really wanted that note, didn't you? And I've got it?
And that gun in your hand it's the same one
you shot me with last night. This time it won't
be in the arm. No, I suppose not. Look Holiday,
it's almost ten. In about one hour and a half,
Kirby will be executed. Now you settle down and wait
until eleven thirty. What do you mean? Two birds with
one stone, Kirby and you at eleven thirty eleven twenty five, Holiday,
You and Kirby have five minutes. You won't get away
with the Morgan?
Speaker 7: Why not?
Speaker 3: If I kill you and my apartment it'll be legal.
Look what's that for? Can't you guess? Papers scattered around,
drawers ramsacked. It's simple. I came in, surprised you rifling
my apartment and shot you. See? Well that good? Why not?
Speaker 7: You know?
Speaker 3: I almost wish you would, Morgan, because ballistics has the
bullet taken from my arm, and if it matches the
one that kills me tonight you figured? Why are you meddling?
Speaker 7: Fool?
Speaker 3: Sorry?
Speaker 7: Good work time with one arm, so you better stay
where you are, Morgan cling Hey, Hey, clean the phone
the penitentiary. Oh I took care of that an hour ago.
Speaker 3: You did?
Speaker 7: What? Sure? I heard the whole thing from outside the window.
Speaker 3: But you said the case was closed. You couldn't work
on it.
Speaker 7: I've got news for you, Danny boy, I'm off duty.
Speaker 5: You said, nobody could tell a difference between.
Speaker 7: Typus that he did, Susie and a bluff about the bullet. Well,
any bluff and a poker game cling. Oh, by the way,
let me ask you one question. Yeah, what Why did
you hold off until the last minute? Why had time? Well,
the wooden dead kill you well, laughter. Kirby was executed
at eleven thirty. So I looked at my watch, and
I figured I had time to get the headquarters, pull
strings to stop the execution and get back to you
a clean Susie.
Speaker 5: Look at your watch, it's stopped.
Speaker 7: Oh that's not think it does that. Everyone listened a while.
Just shake it and oh holy cats, oh no, good night, Susanie.
Speaker 2: Next week, same time. Through the courtesy of Paramount Pictures.
Alan Ladd stars as Dan Holliday and Box thirteen. Box
thirteen is directed by Richard Sandville, with an original story
by Robert M. Light adapted for radio by Russell Hughes.
Original music is composed and conducted by Rudy Schrager. Part
of Susie is played by Sylvia Picker and that of
Lieutenant Ling by Edmund McDonald. Production is supervised by Verne Carstensen.
Box thirteen is a Mayfair production from Hollywood. Watch for
Alan Ladd in his latest paramount picture, We Leave.
Speaker 1: Dan Holiday and Box thirteen with episode twenty nine, Hunt
and Peck. Follow Box thirteen for more classic mystery broadcasts.